How We Built an Illustrated Story on Human Trafficking in India

Here’s how we turned human trafficking in India into a sensitive illustrated story on exploitation, vulnerability and unseen realities.

Human trafficking is one of those issues that is often right in front of you, in plain sight. It exists across cities, villages, worksites, homes and borders, yet many people only encounter it through scattered headlines or distant statistics. With Silent Victims: The Tragic Reality of Human Trafficking in India, we wanted to create an illustrated story that could bring the scale, forms and human cost of the issue into one accessible visual narrative.

This was an in-house project, created to explore how illustration can help communicate urgent social realities without making the material feel too heavy to engage with. The subject was difficult, so the challenge was not only to inform people, but to make them pause, look closely and understand that the problem is grounded in real data and lived vulnerability.

Starting With the Problem, Not Just the Topic

The first step was to understand what the story needed to do. Human trafficking is often discussed through broad terms, but broad language can sometimes make an issue feel distant. We wanted the story to show that trafficking in India is not a vague concern. It is connected to missing persons, underreporting, gendered vulnerability, child labour, sexual exploitation, debt bondage, organ trade, low conviction rates and overloaded court systems.

The purpose was to make the story readable even for someone scrolling quickly, but meaningful enough for someone who stops and spends time with it.

Using Numbers to Ground the Story in Reality

For a subject like human trafficking, emotion alone is not enough. The story needed numbers because data gives weight to what is being said. For instance, one page highlights that 2.69 lakh persons were reported missing in Madhya Pradesh, India between 2016 and 2023. Another page looks at missing children in 2023, using a map of India to show state-wise figures.

However, we did not want the data pages to feel like standard infographics. On the missing persons page, the bars are illustrated as chains, with colours indicating missing males and females. This choice allowed the statistic to remain visible while also connecting visually to captivity and control. Similarly, the state-wise child data is placed on a map, helping the viewer understand that the issue is not isolated to one region.

Constructing a visual language of fear, control, and silence

The illustration style is based on textured brush strokes, muted colours and hand-drawn forms. This lends a rough, human feel to the story. It isn’t too polished or decorative, which suits the subject. The visuals employ repeated symbols like chains, cages, handcuffs, missing posters, money, price tags and covered mouths. Together, these images create a visual language around silence, exploitation and restricted freedom.

With Silent Victims, we wanted to show how illustrated storytelling can help social issues become more visible. The format allowed us to combine data, symbolism, research and emotional communication in a way that felt direct but not overwhelming.

This illustrated story was our attempt to make a difficult reality easier to see, harder to ignore and more thoughtfully communicated.

If your organisation works with people facing vulnerable, unsafe or overlooked realities, your story deserves to be told with care, clarity and sensitivity. Reach out to us to explore how illustrated storytelling can help bring that work to life.


Rahul More

Video Editor

Rahul works on video editing and motion graphics across various formats. He previously worked in post-production at Sallys, with experience across commercials, web series, and digital content. He has over three years of experience in video editing and motion graphics. He enjoys reading, playing cricket, fish keeping and making short films. He holds a Bachelor’s degree in Mass Media (Journalism) and a Diploma in Filmmaking from Rachana Sansad Institute, Mumbai.

Abhinav S S

Illustrator

Abhinav works on in-house blog illustrations, storyboarding and various visual projects aligned with the studio’s creative direction. He is currently pursuing a Bachelor’s degree in Fashion Communication from National Institute of Fashion Technology (NIFT) Bhopal. He has played competitive cricket for the state of Kerala and has a strong interest in painting and graffiti.

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Swanand Deo

Web Development Specialist

Swanand Deo is a WordPress and Web Development Specialist working on various digital projects. With over a decade of experience in the design and development space, he has collaborated with over 50 national and international clients. He specialises in User Experience (UX) design, WordPress development, and creating engaging digital experiences. He holds a Bachelor of Fine Arts from the University of Pune.

Aashna Chandra

Graphic Designer

Aashna works on publications, UI/UX and branding projects at SBS. She has previously worked with organisations across the social impact and development space. Her work focuses on layout design, visual identity systems and user interfaces across print and digital formats. She studied at the United Institute of Design, Gandhinagar, specialising in branding, typography, editorial design and packaging.

Vivek Warang

Digital Illustrator

Vivek works on translating ideas into visual narratives. His work ranges from creating storyboards and illustrations to ideation for special visual storytelling projects. He previously worked as an illustrator at OckyPocky. He enjoys telling stories through images and bringing concepts to life through his drawings. He holds a Bachelor’s degree in Applied Arts from D.Y. Patil College, Pune, with a specialisation in Illustration.

Rajshree Goswami

Content Writer

Rajshree began her professional journey in Kolkata and has over four years of experience as a creative writer and proofreader for academic papers. At SBS, she works across all content, including blogs, transcripts, quality checks and writing for annual reports. She is an avid reader and enjoys cinema, fiction and creative writing. She holds a Bachelor’s degree in English Honours from West Bengal State University.

Bhavesh Dhote

Founder’s Office

Bhavesh is part of the Founder’s Office, working across in-house operations, social media strategy, strategic initiatives, market research and film production. He holds a Bachelor’s degree in Electronics and Telecommunications Engineering with a Diploma in AI and Machine Learning from D.J. Sanghvi College of Engineering, Mumbai. He is also a professional badminton player, marathon runner, trekker and plays euphonium and trumpet.

Manish Mandavkar

Motion Editor

Manish Mandavkar has studied animation at Arena Animation in Mumbai. He has previously worked on animated videos and motion graphics for brands, including Unilever and Zee Movies. An avid gamer, he is also passionate about sketching and photography. He holds a degree in Commerce from the University of Mumbai.

Joel Machado

Film Editor

Mumbai-based creative consultant and film editor Joel Machado has worked on documentaries as well as films in the mainstream Bollywood sector. He was also the Chief Assistant Director on the Jackie Shroff short, “The Playboy, Mr. Sawhney.” In addition to earning a B.Com from Mumbai University, he attended the city’s Digital Academy to hone his script writing skills.

Rohit Sreekumar

Founder’s Office

Rohit is responsible for developing strategic alliances and collaborative initiatives in the social sector. He also works on project management and helps internal teams stay on track. He has previously worked at early-stage startups across product and growth roles. In his free time, he enjoys binge-watching series, gaming and reading. He holds a Master’s degree in Computer Applications from Amrita Vishwa Vidyapeetham, Karnataka.

Aliefya Vahanvaty

Sr. Creative Partner

Senior Creative Partner, Aliefya Vahanvaty has worked in a wide range of editorial roles over the course of her career, gaining experience as a correspondent, copy editor, writer, photographer, and assistant editor at publications like the Times of India, Forbes India, Open Magazine, Impact Magazine, and others. In addition to her MA in Sociology from Mumbai University, she also has an MA in Photojournalism from the University of Westminster in the United Kingdom.

Simit Bhagat

Founder

Founder, Simit Bhagat has worked in the fields of filmmaking, project management, and journalism for over 15 years. He has served in a variety of positions for organisations like the Times of India, the Maharashtra Forest Department, the Tata Trusts, and the Thomson Reuters Foundation. From the University of Sussex in the United Kingdom, he earned a Master of Arts in Science, Society, and Development.