A Picture That Spoke: How One Photograph Changed My View of Storytelling

Mumbai
A woman in Manipur

A few years ago, on a completely random rainy afternoon, I opened a dusty old travel magazine hidden somewhere in my closet. As I leisurely turned its pages, a sudden feeling of astonishment passed over me. I was looking at a picture of a man with a weathered face sitting under a tree, surrounded by children. His expression was full of stories, and even though I didn’t know him, the image spoke to me about storytelling through photography.

At that point, everything came together for me. I understood what a picture is really capable of. I recognised how it can bridge distances and evoke emotions in ways that are not possible with words. It was the first time I experienced the power of images.

That experience taught me that powerful storytelling through photography doesn’t happen by chance. It starts with intention and thoughtful planning. If you’re planning your next shoot, here are some tips you may find useful:

1. Plan Your Story Before You Shoot

Every great story begins with a vision. Photography is no different. Before you even pick up your camera, you need to decide what story you want to tell. What do you want the viewer to feel? What message do you want to send?

Planning isn’t just about choosing a subject—it’s about understanding it. It’s about digging deeper, doing the research, and uncovering the layers that most people miss. I’ve learned that when I take the time to understand the context—whether it’s the culture behind a community event or the history of a location—moments captured are far more meaningful.

Take Aarey Milk Colony, for example. The shoot was full of surprises. But it taught me one of the most important lessons: preparation is everything. Nestled near Sanjay Gandhi National Park, the location was breathtaking. But the rain? That was a whole different story. The light kept shifting, the water dripped onto our lenses. Just when we thought we had the perfect shot, the weather had its own plans. Despite the chaos, there was something magical about it. Nature always gets the final say.

Farmer in Sindhudurg

2. Decide Between Single Images or Series

Some stories unfold in a single frame. Others need an entire series to reveal their depth.

A photograph can speak volumes—think of Steve McCurry’s Afghan Girl, or Arshad Khan, the tea seller from Pakistan, captured by Jiah Ali. One shot, one moment, and you’ve captured the world. But sometimes, a series is required to fully explore a story, layer by layer, photo by photo.

When I choose to build a series, I start with the sequence. The first photo has to hook the viewer. It needs to make them wonder, What happens next? And the last one should do the opposite—it needs to make them feel, I’m a part of this. To leave something behind.

I think back to the day I photographed fishermen at sunset. The light was golden, stretching across the water, and their silhouettes were perfect against the sea. The light kept shifting, the world kept moving, and I was chasing that elusive moment—the perfect shot. Ankle-deep in wet sand, I finally captured it. It’s a reminder that beauty is fleeting, but when you catch it, even for just a second, it’s worth everything.

The most powerful stories are those that make us pause. That make us feel the fleeting moments we otherwise miss. Carefully determining whether to take single shots or create a series has always been crucial to telling my story effectively.

Fisherman in Sindhudurg

3. Focus on Emotion

Humans are deeply emotional beings. The substance of an image will always matter more than technical expertise. I’ve learned that I don’t always need to photograph people. In today’s busy world, people have little time to experience the beauty that the world offers. Landscapes or abstract visuals can help people escape and reconnect with nature.

One night, while photographing two Manipuri boys, I found it wasn’t easy. They were laughing non-stop, darting in and out of the frame like fireflies. Every time I thought I had the perfect shot lined up, they’d shift or burst out laughing again. The low light didn’t make it easier—everything was a blur. At one point, I almost gave up. But then, for just a second, they paused, caught in a streetlight’s glow, their faces lit up with mischief. I clicked, hoping for the best. Later, when I saw the shot, it wasn’t perfect—but it was them. Real. Alive. And worth every struggle.

Organisational Video

4. Use Different Photography Styles 

Think of a movie where every scene looks identical to the previous one—you’d quickly lose interest. Photography works the same way. Without variety, the audience would be bored and leave.

In a storytelling through photography project, I try to use creativity and avoid being ‘one-dimensional.’ I include wide shots for context, medium shots to highlight key aspects, and portraits to personalise the story. I try different types of photos: landscapes, abstracts, action shots, and detail-focused images for a fuller narrative.

While documenting the tribal lifestyle in Gadchiroli, I realised the story wasn’t just about the people—it was in the details too. I filmed locals, their faces full of character and wisdom, but focused on their world as well. Tiny clay gods on shelves, vibrant patterns on handmade clothes, and weathered windows of homes—all these details enriched the story. One afternoon, I captured a lively cockfight, the air thick with shouts and cheers. Later, I photographed a serene old temple bathed in evening light. It was these little things that brought their story to life.

5. Be Original

In a world where billions of photos are shared every day, standing out feels impossible. But here’s the thing—originality isn’t about being radically different. It’s about seeing the world through your lens, offering a perspective that no one else can. It’s about finding the story that’s already there and telling it in your own way.

I remember shooting in the slums of Delhi. I didn’t just raise my camera and click. I talked to the people. Small talk. Where they were from, what their day looked like, how long they’d been there. Nothing monumental, but enough to break the ice. And in those moments, something shifted. I saw their shoulders relax, their smiles became real, not forced. The camera stopped feeling like a barrier and became a bridge.

The result? Photos with depth. Photos that felt alive. Unposed. Authentic. The difference wasn’t in the technique or the gear. It was in the connection. In the simple act of seeing people, really seeing them.

CSI works with children on the outskirts of Delhi | Photo by Simit Bhagat

Why Storytelling through Photography Matters

Flipping through that old magazine years ago, the photograph of that man with a weathered face surrounded by children changed how I viewed the world. That single image, alive with untold stories, showed me the magic of storytelling through photography—a power that has guided me ever since.

Every photograph has a story to tell. Whether it’s a fleeting moment on the street or a carefully curated photo essay, the stories we create can transcend language, culture, and time.

So, pick up your camera and start telling your stories. Just as that photograph touched me years ago, your work could inspire, connect, and leave a lasting impact on someone else’s life.


Subscribe to our newsletter

Sign up for our newsletter and receive exclusive podcasts, blog updates.

Swanand Deo

Web Development Specialist

Swanand Deo is a WordPress and Web Development Specialist working on various digital projects. With over a decade of experience in the design and development space, he has collaborated with over 50 national and international clients. He specialises in User Experience (UX) design, WordPress development, and creating engaging digital experiences. He holds a Bachelor of Fine Arts from the University of Pune.

Mrinali Parmar

Associate (Partnerships)

Mrinali Parmar works on operations and building partnerships with social impact organisations. With five years of work experience, she has focused on education and promoting awareness of climate change and sustainability in her operations role. She holds a Master’s Degree in Commerce from the University of Mumbai and is passionate about linguistics, speaking six languages.

Swarnima Ranade

Voice Actress

Swarnima Ranade is a medical doctor turned voice actress who has done voice-over work for everything from commercials to documentaries to corporate narration to children’s books. She has worked with numerous noteworthy businesses in the past, such as Tata, Uber, Walmart, and YouTube Kids. She graduated from SVU in Gujarat with a degree in dental surgery.

Kumar Shradhesh Nayak

Illustrator

Kumar Shradhesh Nayak is a professional artist, illustrator, and graphic designer who studied at the National Institute of Fashion Technology in Hyderabad. His experience includes stints at EkakiVedam and Design Avenue, both of which are prominent advertising firms. He enjoys trying out new approaches to illustration and creates artwork for a variety of projects.

Divya Shree

Content Producer cum Editor

Divya Shree is a media alumna from Symbiosis Institute in Pune who loves producing and editing non-fiction content. She has directed, shot, and edited videos for various productions. Her strengths are research, audience awareness, and the presentation of intricate topics with clarity and interest.

Manish Mandavkar

Motion Editor

Manish Mandavkar has studied animation at Arena Animation in Mumbai. He has previously worked on animated videos and motion graphics for brands, including Unilever and Zee Movies. An avid gamer, he is also passionate about sketching and photography. He holds a degree in Commerce from the University of Mumbai.

Joel Machado

Film Editor

Mumbai-based creative consultant and film editor Joel Machado has worked on documentaries as well as films in the mainstream Bollywood sector. He was also the Chief Assistant Director on the Jackie Shroff short, “The Playboy, Mr. Sawhney.” In addition to earning a B.Com from Mumbai University, he attended the city’s Digital Academy to hone his script writing skills.

Apoorva Kulkarni

Partnership Manager

Apoorva Kulkarni is the Partnerships Manager, and is responsible for developing strategic alliances and collaborative initiatives with other organisations in the social development ecosystem. For the past five years, she has been employed by major corporations, including Perthera (USA) and Genotypic Technology. She has written and published poetry, and she has been an integral part of The Bidesia Project. At Georgetown University in the United States, she earned a Master of Science in Bioinformatics.

Aliefya Vahanvaty

Sr. Creative Partner

Senior Creative Partner, Aliefya Vahanvaty has worked in a wide range of editorial roles over the course of her career, gaining experience as a correspondent, copy editor, writer, photographer, and assistant editor at publications like the Times of India, Forbes India, Open Magazine, Impact Magazine, and others. In addition to her MA in Sociology from Mumbai University, she also has an MA in Photojournalism from the University of Westminster in the United Kingdom.

Simit Bhagat

Founder

Founder, Simit Bhagat has worked in the fields of filmmaking, project management, and journalism for over 15 years. He has served in a variety of positions for organisations like the Times of India, the Maharashtra Forest Department, the Tata Trusts, and the Thomson Reuters Foundation. From the University of Sussex in the United Kingdom, he earned a Master of Arts in Science, Society, and Development.