How NGOs Can Work with Creatives and Artists for Social Impact

Mumbai
How NGOs Can Work with Creatives and Artists for Social Impact
Illustration by Aastha Kamble | Simit Bhagat Studios

Art and activism have always shared common ground. Picture a blank wall turning into a mural that children point at on their way to school, or a song that carries across a village meeting where words once fell flat. Creativity does something numbers rarely manage. It reaches people where they feel, not just where they think. For NGOs, that opens fresh ways to connect. A designer can rethink how a service shows up in daily life. A filmmaker can hold a story that statistics cannot. A musician can turn pain into rhythm and resilience. In places where energy is low and attention is stretched, artists often bring the spark back.

The value is not just symbolic. In 2015, a Yale School of Medicine evaluation of the Porch Light Program, run by Mural Arts Philadelphia with the city’s Department of Behavioral Health and Intellectual disability Services, found that neighbourhoods with community murals saw a measurable rise in trust and collective action. It is a reminder that creative work can shift how people relate to one another, and that this shift makes room for change.

So how can NGOs work meaningfully with designers, filmmakers, and musicians who want to make a difference? Let’s take a closer look.

Collaboration Models

Creativity can join social programmes in different ways, each with its own path to engagement.

One path is community arts and participatory media. Local residents co-create murals, performances, or photographs. Artolution, working with UNICEF in Rohingya camps, has shown how collaborative art-making can spread health messages while giving displaced families a sense of agency.

Another path is service and product design. When IDEO.org worked on the Clean Team sanitation initiative in Ghana, designers shaped not only the toilets but also uniforms and payment systems. The outcome was more than working hardware. It was a service people could trust and use.

A third path builds on artist and brand platforms. The Playing For Change Foundation has invested over $15 million to bring free music education to more than 5,000 young people in 26 countries. Music’s universal pull keeps attention, invites participation, and sustains support.

Together, these models show how creativity can inform, organise, and energise social impact.

Also read: When Will We Buy Art Again?

Where to Find and Value Creatives

Finding partners often starts with looking in the right places. Taproot Foundation connects nonprofits with skilled volunteers in design, communications, and filmmaking, and offers structured routes for pro bono work. AIGA’s Design for Good initiative mobilises local designers through sprints and hackathons to solve nonprofit challenges.

Valuing the contribution is just as important. In 2024, Taproot estimated the average worth of skilled pro bono hours at $220, which recognises creative expertise as a real in-kind resource. At a global level, the United Nations Volunteers programme deployed over 14,600 volunteers in 2024, with women making up 59%. Skilled volunteering is not a side note. It is a movement that brings talent where it is needed.

When NGOs name and value creative work, it stops being a “nice extra” and becomes part of the engine that drives impact and trust.

Walking the Bridge Together

Creativity may not be the first thing you think of when you plan health, education, or livelihood work. Again and again, though, it turns out to be the catalyst. Murals can shift community trust. Music can soothe trauma and keep people engaged. Design can reimagine services so they fit how life is actually lived. From Philadelphia to Ghana to refugee camps, and across artisan networks in India, the same pattern appears. Imagination and empathy are not ornaments. They are practical tools for resilience and change.

Murals can shift community trust. Music can soothe trauma and keep people engaged. Design can reimagine services so they fit how life is actually lived.

For NGOs, the next step is not to add art as an afterthought. It is to treat it as part of the work. When collaborations are respectful, ethical, and properly valued, creativity stops being just an expression. It becomes a bridge that communities, organisations, and artists can walk together toward lasting impact.

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Rahul More

Video Editor

Rahul works on video editing and motion graphics across various formats. He previously worked in post-production at Sallys, with experience across commercials, web series, and digital content. He has over three years of experience in video editing and motion graphics. He enjoys reading, playing cricket, fish keeping and making short films. He holds a Bachelor’s degree in Mass Media (Journalism) and a Diploma in Filmmaking from Rachana Sansad Institute, Mumbai.

Abhinav S S

Illustrator

Abhinav works on in-house blog illustrations, storyboarding and various visual projects aligned with the studio’s creative direction. He is currently pursuing a Bachelor’s degree in Fashion Communication from National Institute of Fashion Technology (NIFT) Bhopal. He has played competitive cricket for the state of Kerala and has a strong interest in painting and graffiti.

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Swanand Deo

Web Development Specialist

Swanand Deo is a WordPress and Web Development Specialist working on various digital projects. With over a decade of experience in the design and development space, he has collaborated with over 50 national and international clients. He specialises in User Experience (UX) design, WordPress development, and creating engaging digital experiences. He holds a Bachelor of Fine Arts from the University of Pune.

Aashna Chandra

Graphic Designer

Aashna works on publications, UI/UX and branding projects at SBS. She has previously worked with organisations across the social impact and development space. Her work focuses on layout design, visual identity systems and user interfaces across print and digital formats. She studied at the United Institute of Design, Gandhinagar, specialising in branding, typography, editorial design and packaging.

Vivek Warang

Digital Illustrator

Vivek works on translating ideas into visual narratives. His work ranges from creating storyboards and illustrations to ideation for special visual storytelling projects. He previously worked as an illustrator at OckyPocky. He enjoys telling stories through images and bringing concepts to life through his drawings. He holds a Bachelor’s degree in Applied Arts from D.Y. Patil College, Pune, with a specialisation in Illustration.

Rajshree Goswami

Content Writer

Rajshree began her professional journey in Kolkata and has over four years of experience as a creative writer and proofreader for academic papers. At SBS, she works across all content, including blogs, transcripts, quality checks and writing for annual reports. She is an avid reader and enjoys cinema, fiction and creative writing. She holds a Bachelor’s degree in English Honours from West Bengal State University.

Bhavesh Dhote

Founder’s Office

Bhavesh is part of the Founder’s Office, working across in-house operations, social media strategy, strategic initiatives, market research and film production. He holds a Bachelor’s degree in Electronics and Telecommunications Engineering with a Diploma in AI and Machine Learning from D.J. Sanghvi College of Engineering, Mumbai. He is also a professional badminton player, marathon runner, trekker and plays euphonium and trumpet.

Manish Mandavkar

Motion Editor

Manish Mandavkar has studied animation at Arena Animation in Mumbai. He has previously worked on animated videos and motion graphics for brands, including Unilever and Zee Movies. An avid gamer, he is also passionate about sketching and photography. He holds a degree in Commerce from the University of Mumbai.

Joel Machado

Film Editor

Mumbai-based creative consultant and film editor Joel Machado has worked on documentaries as well as films in the mainstream Bollywood sector. He was also the Chief Assistant Director on the Jackie Shroff short, “The Playboy, Mr. Sawhney.” In addition to earning a B.Com from Mumbai University, he attended the city’s Digital Academy to hone his script writing skills.

Rohit Sreekumar

Founder’s Office

Rohit is responsible for developing strategic alliances and collaborative initiatives in the social sector. He also works on project management and helps internal teams stay on track. He has previously worked at early-stage startups across product and growth roles. In his free time, he enjoys binge-watching series, gaming and reading. He holds a Master’s degree in Computer Applications from Amrita Vishwa Vidyapeetham, Karnataka.

Aliefya Vahanvaty

Sr. Creative Partner

Senior Creative Partner, Aliefya Vahanvaty has worked in a wide range of editorial roles over the course of her career, gaining experience as a correspondent, copy editor, writer, photographer, and assistant editor at publications like the Times of India, Forbes India, Open Magazine, Impact Magazine, and others. In addition to her MA in Sociology from Mumbai University, she also has an MA in Photojournalism from the University of Westminster in the United Kingdom.

Simit Bhagat

Founder

Founder, Simit Bhagat has worked in the fields of filmmaking, project management, and journalism for over 15 years. He has served in a variety of positions for organisations like the Times of India, the Maharashtra Forest Department, the Tata Trusts, and the Thomson Reuters Foundation. From the University of Sussex in the United Kingdom, he earned a Master of Arts in Science, Society, and Development.