How NGOs Can Work with Creatives and Artists for Social Impact

Mumbai
How NGOs Can Work with Creatives and Artists for Social Impact
Illustration by Aastha Kamble | Simit Bhagat Studios

Art and activism have always shared common ground. Picture a blank wall turning into a mural that children point at on their way to school, or a song that carries across a village meeting where words once fell flat. Creativity does something numbers rarely manage. It reaches people where they feel, not just where they think. For NGOs, that opens fresh ways to connect. A designer can rethink how a service shows up in daily life. A filmmaker can hold a story that statistics cannot. A musician can turn pain into rhythm and resilience. In places where energy is low and attention is stretched, artists often bring the spark back.

The value is not just symbolic. In 2015, a Yale School of Medicine evaluation of the Porch Light Program, run by Mural Arts Philadelphia with the city’s Department of Behavioral Health and Intellectual disability Services, found that neighbourhoods with community murals saw a measurable rise in trust and collective action. It is a reminder that creative work can shift how people relate to one another, and that this shift makes room for change.

So how can NGOs work meaningfully with designers, filmmakers, and musicians who want to make a difference? Let’s take a closer look.

Collaboration Models

Creativity can join social programmes in different ways, each with its own path to engagement.

One path is community arts and participatory media. Local residents co-create murals, performances, or photographs. Artolution, working with UNICEF in Rohingya camps, has shown how collaborative art-making can spread health messages while giving displaced families a sense of agency.

Another path is service and product design. When IDEO.org worked on the Clean Team sanitation initiative in Ghana, designers shaped not only the toilets but also uniforms and payment systems. The outcome was more than working hardware. It was a service people could trust and use.

A third path builds on artist and brand platforms. The Playing For Change Foundation has invested over $15 million to bring free music education to more than 5,000 young people in 26 countries. Music’s universal pull keeps attention, invites participation, and sustains support.

Together, these models show how creativity can inform, organise, and energise social impact.

Also read: When Will We Buy Art Again?

Where to Find and Value Creatives

Finding partners often starts with looking in the right places. Taproot Foundation connects nonprofits with skilled volunteers in design, communications, and filmmaking, and offers structured routes for pro bono work. AIGA’s Design for Good initiative mobilises local designers through sprints and hackathons to solve nonprofit challenges.

Valuing the contribution is just as important. In 2024, Taproot estimated the average worth of skilled pro bono hours at $220, which recognises creative expertise as a real in-kind resource. At a global level, the United Nations Volunteers programme deployed over 14,600 volunteers in 2024, with women making up 59%. Skilled volunteering is not a side note. It is a movement that brings talent where it is needed.

When NGOs name and value creative work, it stops being a “nice extra” and becomes part of the engine that drives impact and trust.

Walking the Bridge Together

Creativity may not be the first thing you think of when you plan health, education, or livelihood work. Again and again, though, it turns out to be the catalyst. Murals can shift community trust. Music can soothe trauma and keep people engaged. Design can reimagine services so they fit how life is actually lived. From Philadelphia to Ghana to refugee camps, and across artisan networks in India, the same pattern appears. Imagination and empathy are not ornaments. They are practical tools for resilience and change.

Murals can shift community trust. Music can soothe trauma and keep people engaged. Design can reimagine services so they fit how life is actually lived.

For NGOs, the next step is not to add art as an afterthought. It is to treat it as part of the work. When collaborations are respectful, ethical, and properly valued, creativity stops being just an expression. It becomes a bridge that communities, organisations, and artists can walk together toward lasting impact.

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Swanand Deo

Web Development Specialist

Swanand Deo is a WordPress and Web Development Specialist working on various digital projects. With over a decade of experience in the design and development space, he has collaborated with over 50 national and international clients. He specialises in User Experience (UX) design, WordPress development, and creating engaging digital experiences. He holds a Bachelor of Fine Arts from the University of Pune.

Mrinali Parmar

Associate (Partnerships)

Mrinali Parmar works on operations and building partnerships with social impact organisations. With five years of work experience, she has focused on education and promoting awareness of climate change and sustainability in her operations role. She holds a Master’s Degree in Commerce from the University of Mumbai and is passionate about linguistics, speaking six languages.

Swarnima Ranade

Voice Actress

Swarnima Ranade is a medical doctor turned voice actress who has done voice-over work for everything from commercials to documentaries to corporate narration to children’s books. She has worked with numerous noteworthy businesses in the past, such as Tata, Uber, Walmart, and YouTube Kids. She graduated from SVU in Gujarat with a degree in dental surgery.

Kumar Shradhesh Nayak

Illustrator

Kumar Shradhesh Nayak is a professional artist, illustrator, and graphic designer who studied at the National Institute of Fashion Technology in Hyderabad. His experience includes stints at EkakiVedam and Design Avenue, both of which are prominent advertising firms. He enjoys trying out new approaches to illustration and creates artwork for a variety of projects.

Divya Shree

Content Producer cum Editor

Divya Shree is a media alumna from Symbiosis Institute in Pune who loves producing and editing non-fiction content. She has directed, shot, and edited videos for various productions. Her strengths are research, audience awareness, and the presentation of intricate topics with clarity and interest.

Manish Mandavkar

Motion Editor

Manish Mandavkar has studied animation at Arena Animation in Mumbai. He has previously worked on animated videos and motion graphics for brands, including Unilever and Zee Movies. An avid gamer, he is also passionate about sketching and photography. He holds a degree in Commerce from the University of Mumbai.

Joel Machado

Film Editor

Mumbai-based creative consultant and film editor Joel Machado has worked on documentaries as well as films in the mainstream Bollywood sector. He was also the Chief Assistant Director on the Jackie Shroff short, “The Playboy, Mr. Sawhney.” In addition to earning a B.Com from Mumbai University, he attended the city’s Digital Academy to hone his script writing skills.

Apoorva Kulkarni

Partnership Manager

Apoorva Kulkarni is the Partnerships Manager, and is responsible for developing strategic alliances and collaborative initiatives with other organisations in the social development ecosystem. For the past five years, she has been employed by major corporations, including Perthera (USA) and Genotypic Technology. She has written and published poetry, and she has been an integral part of The Bidesia Project. At Georgetown University in the United States, she earned a Master of Science in Bioinformatics.

Aliefya Vahanvaty

Sr. Creative Partner

Senior Creative Partner, Aliefya Vahanvaty has worked in a wide range of editorial roles over the course of her career, gaining experience as a correspondent, copy editor, writer, photographer, and assistant editor at publications like the Times of India, Forbes India, Open Magazine, Impact Magazine, and others. In addition to her MA in Sociology from Mumbai University, she also has an MA in Photojournalism from the University of Westminster in the United Kingdom.

Simit Bhagat

Founder

Founder, Simit Bhagat has worked in the fields of filmmaking, project management, and journalism for over 15 years. He has served in a variety of positions for organisations like the Times of India, the Maharashtra Forest Department, the Tata Trusts, and the Thomson Reuters Foundation. From the University of Sussex in the United Kingdom, he earned a Master of Arts in Science, Society, and Development.