Brick Kiln Workers Choose Between Life And Livelihood 

A mixed media storytelling project that exposes the harsh realities faced by brick kiln workers in India.
Workers take a moment of respite at a brick kiln site.
Workers take a moment of respite at a brick kiln site | Photo by Simit Bhagat

Under fierce heat and endless stacks of bricks, families put in long days inside India’s brick kilns. Many have travelled far from home simply to get by. Parents lift clay and fire bricks while their children grow up around dust, smoke, and open kilns. Burns are common. School slips away. For many, each day feels like a choice between staying alive and earning enough to get through.

Most workers come from states like Odisha, Punjab, Bihar, and Maharashtra. Advances promise steady income, so they arrive with hope. What they meet instead are unsafe sites, short pay, and cramped rooms that barely protect them. Over time, hope gives way to debt, and finding a way out begins to feel out of reach.

The Larger Context

India is the second-largest brick producer, and this sector employs over 2.1 million people. A large share of this workforce is believed to be trapped in debt bondage. As parents migrate with their families, schooling breaks. Nearly 80% of young children who live at kiln sites end up working there.

This moving population often stays unseen by welfare systems, so policies and protections rarely reach them. Brick kiln workers still lack a voice, even as they hold up the country’s construction economy.

A still capturing the essence of a brick kiln site in Chhapra, Bihar, India | Photo by Simit Bhagat

Our Creative Intention

At Simit Bhagat Studios, we felt the need to make this hidden workforce visible and to stay with their daily reality. This independent project had a simple aim. To build empathy by witnessing. We wanted audiences not only to grasp the issue, but to feel its urgency.

Our aim was to show how deeply the kiln system touches families, incomes, health, and childhoods, using plain, honest visual storytelling.

Shaping the Film and the Visual Language

We chose a mixed media path using live action footage, still photographs, and a text based video narrative. Instead of voiceover, the film leans on quiet frames, gentle background music, and carefully placed on screen text.

We chose a mixed media path using live action footage, still photographs, and a text based video narrative.

The camera follows workers through daily routines inside the kilns. The text mirrors their world in simple, direct lines. This format lets the story breathe, giving space to each image and allowing the weight of these lives to settle without noise.

Using our in house video archive and on ground documentation, we built a visual record of living conditions, labour, and quiet endurance.

What This Project Showed Us

This work reminded us how powerful quiet storytelling can be. Without dramatic narration or heavy explanation, the lives of brick kiln workers speak clearly, as their invisibility is not from lack of struggle, but from lack of attention.

We hope these stories prompt people, organisations, and institutions to look closer, speak up, and act with urgency for the rights and safety of brick kiln workers across India.

If this story stayed with you, and if you want to shine a light on urgent social issues through film, photography, and visual storytelling, reach out to us. We would love to help bring your story into the world with honesty and care.

 


Client: Independent Project  
Discipline: Films and Photography 
Director and Editor: Simit Bhagat
Illustrations: Kumar Shradhesh Nayak 

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Swanand Deo

Web Development Specialist

Swanand Deo is a WordPress and Web Development Specialist working on various digital projects. With over a decade of experience in the design and development space, he has collaborated with over 50 national and international clients. He specialises in User Experience (UX) design, WordPress development, and creating engaging digital experiences. He holds a Bachelor of Fine Arts from the University of Pune.

Mrinali Parmar

Associate (Partnerships)

Mrinali Parmar works on operations and building partnerships with social impact organisations. With five years of work experience, she has focused on education and promoting awareness of climate change and sustainability in her operations role. She holds a Master’s Degree in Commerce from the University of Mumbai and is passionate about linguistics, speaking six languages.

Swarnima Ranade

Voice Actress

Swarnima Ranade is a medical doctor turned voice actress who has done voice-over work for everything from commercials to documentaries to corporate narration to children’s books. She has worked with numerous noteworthy businesses in the past, such as Tata, Uber, Walmart, and YouTube Kids. She graduated from SVU in Gujarat with a degree in dental surgery.

Kumar Shradhesh Nayak

Illustrator

Kumar Shradhesh Nayak is a professional artist, illustrator, and graphic designer who studied at the National Institute of Fashion Technology in Hyderabad. His experience includes stints at EkakiVedam and Design Avenue, both of which are prominent advertising firms. He enjoys trying out new approaches to illustration and creates artwork for a variety of projects.

Divya Shree

Content Producer cum Editor

Divya Shree is a media alumna from Symbiosis Institute in Pune who loves producing and editing non-fiction content. She has directed, shot, and edited videos for various productions. Her strengths are research, audience awareness, and the presentation of intricate topics with clarity and interest.

Manish Mandavkar

Motion Editor

Manish Mandavkar has studied animation at Arena Animation in Mumbai. He has previously worked on animated videos and motion graphics for brands, including Unilever and Zee Movies. An avid gamer, he is also passionate about sketching and photography. He holds a degree in Commerce from the University of Mumbai.

Joel Machado

Film Editor

Mumbai-based creative consultant and film editor Joel Machado has worked on documentaries as well as films in the mainstream Bollywood sector. He was also the Chief Assistant Director on the Jackie Shroff short, “The Playboy, Mr. Sawhney.” In addition to earning a B.Com from Mumbai University, he attended the city’s Digital Academy to hone his script writing skills.

Apoorva Kulkarni

Partnership Manager

Apoorva Kulkarni is the Partnerships Manager, and is responsible for developing strategic alliances and collaborative initiatives with other organisations in the social development ecosystem. For the past five years, she has been employed by major corporations, including Perthera (USA) and Genotypic Technology. She has written and published poetry, and she has been an integral part of The Bidesia Project. At Georgetown University in the United States, she earned a Master of Science in Bioinformatics.

Aliefya Vahanvaty

Sr. Creative Partner

Senior Creative Partner, Aliefya Vahanvaty has worked in a wide range of editorial roles over the course of her career, gaining experience as a correspondent, copy editor, writer, photographer, and assistant editor at publications like the Times of India, Forbes India, Open Magazine, Impact Magazine, and others. In addition to her MA in Sociology from Mumbai University, she also has an MA in Photojournalism from the University of Westminster in the United Kingdom.

Simit Bhagat

Founder

Founder, Simit Bhagat has worked in the fields of filmmaking, project management, and journalism for over 15 years. He has served in a variety of positions for organisations like the Times of India, the Maharashtra Forest Department, the Tata Trusts, and the Thomson Reuters Foundation. From the University of Sussex in the United Kingdom, he earned a Master of Arts in Science, Society, and Development.