How Loksadhana built learning and livelihoods on laterite ground

Mumbai
Loksadhana

Sejal Ramane wakes up before sunrise, walks kilometres to a bus stop, and still finds her way back to her books. When she scored 91.40% in her exams, it felt like a personal win, but it also carried an older promise. Years before Sejal, her mother Riddhi studied in the same school. When money ran out, teachers visited her home and assured her parents they would support her education with books and clothes. In Chikhalgaon, education has never been a neat transaction. It has been a relationship.

“My financial background was very weak, but the teachers assured my parents they would support my education.”

— Riddhi Ramane, Student, Loksadhana

Stories like these explain why Loksadhana’s work matters, and why telling it well matters too. Chikhalgaon is the birthplace of Lokmanya Tilak, a leader remembered for championing education and building schools across India. Yet in 1982, the village itself still lacked a secondary school. Children walked long distances for classes that ended far too early, and many dropped out. The gap was not just about infrastructure. It was a quiet reminder of how unevenly opportunity spreads.

When Dr. Raja and Prof. Renu Dandekar arrived, they did not come with a packaged model. They came with questions. What would make families stay instead of migrating? How could education lead to livelihoods? Their answers were rooted in listening and building rural solutions for rural problems. That conviction became the seed of Loksadhana, an institution shaped by the very ground it stands on.

That is the story. The question for us was, how do you translate a story like this into a website that people actually feel?

Loksadhana reached out to us because their earlier website had begun to feel like an old folder. It held information, but it did not communicate their work impactfully. It did not reflect the scale of what they had built, or the lived texture of their work. For an organisation operating in a small, remote geography, the website often becomes the first point of contact for supporters, partners, and people who may never visit the campus. Loksadhana wanted their digital presence to carry the same dignity and depth that exists on the ground. We did not approach the revamp as a layout exercise. We approached it as a narrative translation.

Also read: The Art of Impact: Exploring Illustration Styles in the NGO World

Building a Website Like a Guided Walk Through a Life’s Work

Our starting point was a simple decision. The website should not read like a brochure. It should feel like the founders are walking alongside you, telling you how it began, what they noticed, what they tried, and how the work kept expanding. This meant writing and designing in a way that carried continuity.

The website should not read like a brochure. It should feel like the founders are walking alongside you, telling you how it began, what they noticed, what they tried, and how the work kept expanding.

Instead of standalone headings, we used connector headings that behave like sentences in a story. You do not just see a title, you see a turning point. Lines like “But then came the need for more…” and “So we started…” become narrative bridges. They pull the visitor forward the way a voice does, and they prevent sections from becoming isolated blocks.

The Education page became the clearest example of this method. The visitor moves through the evolution of learning in Chikhalgaon as a flowing sequence. Secondary school is not presented as a programme. It is presented as a beginning. Then the need grows, so the story grows. Primary education appears as a response, then the story expands again into higher secondary education. The visitor is not collecting information. They are following cause and effect.

The impact numbers appeared like a checkpoint in a longer journey, anchored in a human context.

To make sure the numbers did not feel like a sudden corporate interruption, we treated impact metrics as milestones rather than a statistics wall. Meals served, alumni numbers, resident students, educational infrastructure, student-led businesses supported, each figure appears like a checkpoint in a longer journey, anchored in a human context.

Also read: Beyond the PDF: How NGOs Can Make Impact Reporting a Two-Way Conversation

Designing a Visual World That Feels Like School Without Feeling Childish

Once the narrative rhythm was set, the design needed to support it. Loksadhana’s identity is deeply tied to education, classrooms, and the everyday life of children. We leaned into a school-like visual world using a restrained palette of white, warm reds, and small yellow accents. The goal was not to make the site look playful for the sake of it. The goal was to make it feel like learning lives here.

Small interface choices carried this intent. The home icon and menu lines are intentionally scribbly, like a child drew them. Photo frames have imperfect hand-drawn borders. Quotations are illustrated with oversized sketch-like marks where the colour spills slightly beyond the outline. These details are subtle, but together they create a consistent feeling. This is not a glossy corporate space. This is a lived space.

We also used different visual metaphors for different types of content to help visitors stay oriented.

We also used different visual metaphors for different types of content to help visitors stay oriented. Education and the journey flow feel like notebook pages. Impact sits on a chalkboard-like grey background, making numbers feel grounded and classroom-familiar. Testimonials use hand-drawn quotes, reinforcing the idea of voice and memory. What emerged was a website that holds one steady world, even as it moves across decades of work.

Looking Ahead, Without Losing the Beginning

Loksadhana’s story does not end with what already exists. Plans for a diagnostic van, a mobile science lab, and a multi-specialty hospital are in progress. A community living centre is envisioned for citizens who wish to spend their later years in service. The future is being planned with the same spirit that began in 1982, when questions mattered more than quick answers.

At Simit Bhagat Studios, we care about stories like this because they prove something important. When an organisation grows slowly, honestly, and with deep community roots, its communication should not flatten it into headings and bullet points. It should carry dignity, memory, and resilience. If you work in development and want to explore how complex interventions can be told visually, through narrative, design, and sound, our newsletter may interest you. We share reflections and design insights for teams trying to keep humanity at the centre.


Rahul More

Video Editor

Rahul works on video editing and motion graphics across various formats. He previously worked in post-production at Sallys, with experience across commercials, web series, and digital content. He has over three years of experience in video editing and motion graphics. He enjoys reading, playing cricket, fish keeping and making short films. He holds a Bachelor’s degree in Mass Media (Journalism) and a Diploma in Filmmaking from Rachana Sansad Institute, Mumbai.

Abhinav S S

Illustrator

Abhinav works on in-house blog illustrations, storyboarding and various visual projects aligned with the studio’s creative direction. He is currently pursuing a Bachelor’s degree in Fashion Communication from National Institute of Fashion Technology (NIFT) Bhopal. He has played competitive cricket for the state of Kerala and has a strong interest in painting and graffiti.

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Swanand Deo

Web Development Specialist

Swanand Deo is a WordPress and Web Development Specialist working on various digital projects. With over a decade of experience in the design and development space, he has collaborated with over 50 national and international clients. He specialises in User Experience (UX) design, WordPress development, and creating engaging digital experiences. He holds a Bachelor of Fine Arts from the University of Pune.

Aashna Chandra

Graphic Designer

Aashna works on publications, UI/UX and branding projects at SBS. She has previously worked with organisations across the social impact and development space. Her work focuses on layout design, visual identity systems and user interfaces across print and digital formats. She studied at the United Institute of Design, Gandhinagar, specialising in branding, typography, editorial design and packaging.

Vivek Warang

Digital Illustrator

Vivek works on translating ideas into visual narratives. His work ranges from creating storyboards and illustrations to ideation for special visual storytelling projects. He previously worked as an illustrator at OckyPocky. He enjoys telling stories through images and bringing concepts to life through his drawings. He holds a Bachelor’s degree in Applied Arts from D.Y. Patil College, Pune, with a specialisation in Illustration.

Rajshree Goswami

Content Writer

Rajshree began her professional journey in Kolkata and has over four years of experience as a creative writer and proofreader for academic papers. At SBS, she works across all content, including blogs, transcripts, quality checks and writing for annual reports. She is an avid reader and enjoys cinema, fiction and creative writing. She holds a Bachelor’s degree in English Honours from West Bengal State University.

Bhavesh Dhote

Founder’s Office

Bhavesh is part of the Founder’s Office, working across in-house operations, social media strategy, strategic initiatives, market research and film production. He holds a Bachelor’s degree in Electronics and Telecommunications Engineering with a Diploma in AI and Machine Learning from D.J. Sanghvi College of Engineering, Mumbai. He is also a professional badminton player, marathon runner, trekker and plays euphonium and trumpet.

Manish Mandavkar

Motion Editor

Manish Mandavkar has studied animation at Arena Animation in Mumbai. He has previously worked on animated videos and motion graphics for brands, including Unilever and Zee Movies. An avid gamer, he is also passionate about sketching and photography. He holds a degree in Commerce from the University of Mumbai.

Joel Machado

Film Editor

Mumbai-based creative consultant and film editor Joel Machado has worked on documentaries as well as films in the mainstream Bollywood sector. He was also the Chief Assistant Director on the Jackie Shroff short, “The Playboy, Mr. Sawhney.” In addition to earning a B.Com from Mumbai University, he attended the city’s Digital Academy to hone his script writing skills.

Rohit Sreekumar

Founder’s Office

Rohit is responsible for developing strategic alliances and collaborative initiatives in the social sector. He also works on project management and helps internal teams stay on track. He has previously worked at early-stage startups across product and growth roles. In his free time, he enjoys binge-watching series, gaming and reading. He holds a Master’s degree in Computer Applications from Amrita Vishwa Vidyapeetham, Karnataka.

Aliefya Vahanvaty

Sr. Creative Partner

Senior Creative Partner, Aliefya Vahanvaty has worked in a wide range of editorial roles over the course of her career, gaining experience as a correspondent, copy editor, writer, photographer, and assistant editor at publications like the Times of India, Forbes India, Open Magazine, Impact Magazine, and others. In addition to her MA in Sociology from Mumbai University, she also has an MA in Photojournalism from the University of Westminster in the United Kingdom.

Simit Bhagat

Founder

Founder, Simit Bhagat has worked in the fields of filmmaking, project management, and journalism for over 15 years. He has served in a variety of positions for organisations like the Times of India, the Maharashtra Forest Department, the Tata Trusts, and the Thomson Reuters Foundation. From the University of Sussex in the United Kingdom, he earned a Master of Arts in Science, Society, and Development.