How Nonprofits Are Using Laughter to Drive Change

Mumbai
Humor to drive change

It started with a meme. A Bollywood scene. A sarcastic caption. We hit “post” and didn’t think twice.

Then came the comment: “This is funny, but also painfully true.”

That’s when something clicked. If a meme could make someone laugh and feel seen, maybe it wasn’t just a meme. Maybe it was a way in.

At Simit Bhagat Studios, we’ve been exploring how even the most casual formats, like film memes, can hold deeper truths about the nonprofit sector. Not just to entertain, but to connect. In Where Memes Meet Meaning, we shared how humour, used with intent, can shine a light on things like funding gaps, field frustrations, and donor dynamics, without ever losing sight of the seriousness beneath.

And we’re not the only ones experimenting. Around the world, organisations are ditching solemn tones and embracing satire, stand-up, emojis, and puppets to bring people into difficult conversations. Humour doesn’t replace truth. It carries it, lighter, farther, and with more staying power.

Let’s look at how some nonprofits are using humour to highlight their work:

1. They make fundraising entertaining

Giving doesn’t always come from guilt. Often, it comes from joy. Humour makes people feel good while doing good, and that matters. It also helps people stay with you and remember why they chose to give in the first place.

For example, the UK charity Comic Relief has almost mastered this mix of humour and heart with its yearly Red Nose Day telethon. Since 1988, the live BBC show has blended celebrity sketches, music performances and short films about people whose lives have been shaped by donations. Meanwhile, red nose merchandise turns participation into something visible, wearable, and fun.

Although it’s packed with jokes, the impact is serious. Since launch, Comic Relief has raised over £1.6 billion. In 2025 alone, it raised £34 million. Fundraising becomes more than an ask; it becomes an experience people want to return to.

2. Humour breaks taboos

Some issues are so overwhelming that people tune out before they even begin listening. Air pollution, for example, rarely sparks genuine interest. Yet humour can shift that.

In February 2025, ASAR and comedy media house DeadAnt hosted a unique event in Mumbai called Laughs Per Minute: Breathless Edition. Twenty-five comedians, including names like Aditi Mittal and Raunaq Rajani, performed fast-paced sets focused entirely on air quality. Moreover, each performer was given just 60 seconds to deliver their punchlines, keeping the pace high and the energy sharp.

One joke went, “Buildings called ‘Sea View’ are now called ‘If you can see view’.” It was funny, but painfully true.

The idea came from Brikesh Singh, ASAR’s communications head and a comedian himself. He wanted to take jargon off the table and replace it with clarity and connection. The show’s success led to a similar event in Delhi, proof that when people laugh, they’re also more willing to listen.

3. They make awkward topics shareable

Sanitation isn’t glamorous. Talking about toilets rarely comes up in daily conversation. However, humour has a way of cracking open uncomfortable silences.

That’s exactly what WaterAid did with its 2015 campaign #GiveAShit. The campaign used a mobile app that let users create and share their own poop emojis. Additionally, over 50 celebrities and influencers participated, helping the message reach far beyond WaterAid’s existing supporters.

But they didn’t stop there. The team hosted an actual art exhibition in New York, cheekily called The Shit Show, featuring poop-themed works that were both hilarious and deeply thought-provoking.

The result? 230 million media impressions, 11,000 new supporters, and campaign reach in 53 countries. By turning an awkward issue into a meme-worthy movement, WaterAid proved that humour doesn’t just entertain, it educates and activates.

4. They turn education into theatre

Not every setting has access to textbooks, clinics, or the internet. But everyone understands stories. And when stories are funny, people don’t forget them.

That’s why, back in 1988, South Africa’s AREPP launched Puppets Against AIDS, a live puppet show designed to spread awareness about HIV. With creative input from Jim Henson, yes, that Jim Henson, the show followed characters like Jo and Mary, using drama and humour to show how HIV spreads and how to prevent it.

Furthermore, the shows included live music, interactive Q&As, and condom demonstrations. The puppets themselves were grey-faced, representing the idea that HIV affects all communities, regardless of background.

The program toured across Africa and eventually reached over 150 countries. A published study in AIDS Care confirmed improved knowledge and protective behaviour. When the science felt distant, puppets brought it home.

5. They challenge stigma with satire

Mental health campaigns often struggle to connect with men. The language feels too clinical, or worse, too soft. However, humour provides an unexpected entry point.

That’s what inspired Man Therapy, a campaign launched in Colorado in 2012 to address suicide rates among working-age men. At its centre is Dr Rich Mahogany, a moustachioed, flannel-wearing therapist who delivers straight-talking mental health advice with a healthy dose of sarcasm.

The campaign’s website, mantherapy.org, features practical tools like crisis support and the signature 18-Point Head Inspection. Additionally, it offers DIY coping tips and a full resource directory, all delivered with a wink.

The reach has been remarkable. Over 2 million visits, 500,000 assessments completed, and CDC-funded studies showing a reduction in suicide risk. Later, Beyond Blue picked up the campaign in Australia, demonstrating how effectively it could work across borders. Man Therapy reminds us that humour can meet men where they already are and gently pull them back from the edge.

Humour Doesn’t Mean Less Impact

Nonprofits face enormous pressure to make serious issues heard. Yet seriousness alone isn’t always effective. Sometimes, the best way to communicate gravity is through levity.

Humour invites people in. It lets them drop their defences. Moreover, it gives them a moment to laugh, right before they learn something they’ll never forget. Whether it’s poop emojis, puppet shows, or punchlines about pollution, humour has shown it can reach places that data never will.

So the next time someone says comedy isn’t serious, show them the numbers. Show them the stories. And show them how laughter can lift more than spirits. It can lift entire causes.

If you care about the future of storytelling in social impact, don’t miss a beat.

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Rahul More

Video Editor

Rahul works on video editing and motion graphics across various formats. He previously worked in post-production at Sallys, with experience across commercials, web series, and digital content. He has over three years of experience in video editing and motion graphics. He enjoys reading, playing cricket, fish keeping and making short films. He holds a Bachelor’s degree in Mass Media (Journalism) and a Diploma in Filmmaking from Rachana Sansad Institute, Mumbai.

Abhinav S S

Illustrator

Abhinav works on in-house blog illustrations, storyboarding and various visual projects aligned with the studio’s creative direction. He is currently pursuing a Bachelor’s degree in Fashion Communication from National Institute of Fashion Technology (NIFT) Bhopal. He has played competitive cricket for the state of Kerala and has a strong interest in painting and graffiti.

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Swanand Deo

Web Development Specialist

Swanand Deo is a WordPress and Web Development Specialist working on various digital projects. With over a decade of experience in the design and development space, he has collaborated with over 50 national and international clients. He specialises in User Experience (UX) design, WordPress development, and creating engaging digital experiences. He holds a Bachelor of Fine Arts from the University of Pune.

Aashna Chandra

Graphic Designer

Aashna works on publications, UI/UX and branding projects at SBS. She has previously worked with organisations across the social impact and development space. Her work focuses on layout design, visual identity systems and user interfaces across print and digital formats. She studied at the United Institute of Design, Gandhinagar, specialising in branding, typography, editorial design and packaging.

Vivek Warang

Digital Illustrator

Vivek works on translating ideas into visual narratives. His work ranges from creating storyboards and illustrations to ideation for special visual storytelling projects. He previously worked as an illustrator at OckyPocky. He enjoys telling stories through images and bringing concepts to life through his drawings. He holds a Bachelor’s degree in Applied Arts from D.Y. Patil College, Pune, with a specialisation in Illustration.

Rajshree Goswami

Content Writer

Rajshree began her professional journey in Kolkata and has over four years of experience as a creative writer and proofreader for academic papers. At SBS, she works across all content, including blogs, transcripts, quality checks and writing for annual reports. She is an avid reader and enjoys cinema, fiction and creative writing. She holds a Bachelor’s degree in English Honours from West Bengal State University.

Bhavesh Dhote

Founder’s Office

Bhavesh is part of the Founder’s Office, working across in-house operations, social media strategy, strategic initiatives, market research and film production. He holds a Bachelor’s degree in Electronics and Telecommunications Engineering with a Diploma in AI and Machine Learning from D.J. Sanghvi College of Engineering, Mumbai. He is also a professional badminton player, marathon runner, trekker and plays euphonium and trumpet.

Manish Mandavkar

Motion Editor

Manish Mandavkar has studied animation at Arena Animation in Mumbai. He has previously worked on animated videos and motion graphics for brands, including Unilever and Zee Movies. An avid gamer, he is also passionate about sketching and photography. He holds a degree in Commerce from the University of Mumbai.

Joel Machado

Film Editor

Mumbai-based creative consultant and film editor Joel Machado has worked on documentaries as well as films in the mainstream Bollywood sector. He was also the Chief Assistant Director on the Jackie Shroff short, “The Playboy, Mr. Sawhney.” In addition to earning a B.Com from Mumbai University, he attended the city’s Digital Academy to hone his script writing skills.

Rohit Sreekumar

Founder’s Office

Rohit is responsible for developing strategic alliances and collaborative initiatives in the social sector. He also works on project management and helps internal teams stay on track. He has previously worked at early-stage startups across product and growth roles. In his free time, he enjoys binge-watching series, gaming and reading. He holds a Master’s degree in Computer Applications from Amrita Vishwa Vidyapeetham, Karnataka.

Aliefya Vahanvaty

Sr. Creative Partner

Senior Creative Partner, Aliefya Vahanvaty has worked in a wide range of editorial roles over the course of her career, gaining experience as a correspondent, copy editor, writer, photographer, and assistant editor at publications like the Times of India, Forbes India, Open Magazine, Impact Magazine, and others. In addition to her MA in Sociology from Mumbai University, she also has an MA in Photojournalism from the University of Westminster in the United Kingdom.

Simit Bhagat

Founder

Founder, Simit Bhagat has worked in the fields of filmmaking, project management, and journalism for over 15 years. He has served in a variety of positions for organisations like the Times of India, the Maharashtra Forest Department, the Tata Trusts, and the Thomson Reuters Foundation. From the University of Sussex in the United Kingdom, he earned a Master of Arts in Science, Society, and Development.