How to Tell the Stories of India’s Endangered Species

Mumbai
Spotted Deer at Borivali National Park
Photo by Simit Bhagat / Simit Bhagat Studios

In a village in Assam, women gather around a loom. They are weaving sarees, but these are no ordinary sarees. Stitched gently into the fabric are large, awkward birds with long necks and slightly hunched shoulders—the greater adjutant stork. For years, these birds were seen as dirty and unlucky. Children threw stones at them. Villagers cut down the trees where they nested.

But one woman changed that story.

Purnima Devi Barman began telling a different tale. She called them “hargila” with love. Spoke about their gentleness, their importance to the ecosystem, and how they were disappearing. She didn’t stop there. She formed an army of women—the Hargila Army—and they brought the bird into their homes, their rituals, and their stories. Sarees became their canvas. Songs became their tools. And slowly, the villagers began to see the stork differently—not as a pest, but as family.

This is what storytelling can do. It doesn’t just change minds—it changes hearts.

So how can we use storytelling to protect not just the greater adjutant, but all of India’s endangered species?

1. Begin With the Personal – Make It About Character, Not Just Species

Before we connect with conservation science, we need to connect with the subject. Not just through facts, but through feelings. The most effective stories begin by making animals familiar. Giving them names. Telling their journeys. Showing who they are, not just what they are.

Story: Collarwali – The Tigress Who Became a Mother to a Forest

In Pench Tiger Reserve, Madhya Pradesh, a tigress named Collarwali earned her name from the radio collar she wore. But what made her famous was not technology—it was motherhood. Over the years, she gave birth to 29 cubs, more than any other wild tigress recorded in India.

Rangers knew her by sight. Villagers respected her like royalty. Wildlife filmmakers followed her for years, capturing her hunts, her nurturing moments, and her aging years. Documentaries like Tiger: Spy in the Jungle brought her life into homes around the world.

Collarwali’s story wasn’t just told. It was felt.

Storytelling Elements:

Personalisation: Her life was documented in full—her struggles, her cubs, her survival.

Media representation: Her presence in global documentaries created widespread emotional connection.

Symbol of success: Her story became a living emblem of India’s Project Tiger, showing the public what protection looks like in real time.

Impact: Her legacy helped raise awareness of tiger conservation and attracted visitors to Pench, boosting eco-tourism and funding. She became a symbol of resilience and motherhood, long after she was gone.

2. Empower Communities to Tell Their Own Stories

Conservation efforts last longer when they are locally rooted. When the people who live beside wildlife become storytellers, the message is no longer distant or imposed—it’s personal. When stories are shared through local rituals, songs, and traditions, they resonate deeply and inspire action.

Story: The Hargila Army – Women Who Reclaimed a Bird

The greater adjutant stork was once rejected by Assamese communities. But when Purnima Devi Barman began engaging with local women—mothers, grandmothers, daughters—something changed.

Together, they built a movement. They turned the bird into a cultural symbol. Sarees bore its image. Baby showers were held for chicks. School children were taught songs about its nesting rituals. This was not just conservation—it was reclamation.

Storytelling Elements:

Cultural integration: The bird became part of local celebrations and religious ceremonies.

Empowerment through art: Women used embroidery and textiles as storytelling tools.

Community engagement: Puppet shows, folk performances, and education sessions spread awareness through joy, not guilt.

Impact: The Hargila population rose significantly. The bird’s status changed from “endangered” to “near threatened” by 2023. More importantly, an entire community became lifelong protectors of a species once despised.

3. Use Creative Mediums – Not Everyone Reads Reports, But Everyone Feels a Story

People don’t always respond to graphs and policy briefs. But they remember a photograph. A short film. A drawing from a child. Creative mediums open emotional pathways that scientific language often cannot.

Story: The Photo Ark by Joel Sartore

Photographer Joel Sartore wanted the world to see species before they vanished. So he created the  Photo Ark—a visual archive of over 16,000 animals, photographed against black and white backgrounds.

There are no distractions in these images. Just eyes. Beaks. Claws. Fur. Expressions.

The viewer is forced to look—really look—into the eyes of animals that may soon disappear. There is nowhere else to focus. No jungle backdrop. No zoo cage. Just connection.

Storytelling Elements:

Intimate portraits: Each animal is given dignity and visibility, no matter how obscure.

Global exhibitions: The photographs are displayed in public spaces, schools, and museums.

Educational outreach: The images are used in classrooms worldwide to teach empathy and biology in equal measure.

Impact: The project has brought rare and lesser-known species into global conversation, generating funding and attention for their protection. It has also inspired thousands of young people to care deeply about animals they’ve never seen in person.

4. Celebrate What’s Working – Hope Inspires More Than Guilt

Conservation stories don’t always need to be warnings. Sometimes, the most powerful message is that progress is possible. Celebrating success gives people energy to stay involved.

Story: The Revival of the One-Horned Rhinoceros

Once poached mercilessly for their horns, the greater one-horned rhino faced extinction. But in Kaziranga National Park, protection efforts intensified. Rangers patrolled round the clock. Poachers were stopped. New populations were translocated to Dudhwa to expand their territory.

Today, Kaziranga is home to over two-thirds of the world’s one-horned rhinos.

Storytelling Elements:

Narrative of resilience: The story frames the rhino not as a victim, but as a survivor.

Community involvement: Locals work in anti-poaching patrols and education drives.

Educational campaigns: Schools across the region teach children that the rhino is a national treasure, not a danger.

Impact: The rhino population has grown steadily. Community support is high. And globally, India is seen as a model of large-mammal recovery.

5. Bridge Science and Emotion – Let the Data Be Felt

Research is the foundation of conservation. But it is storytelling that carries it into people’s hearts. When scientific knowledge is paired with personal narrative, it becomes unforgettable.

Story: Wildlife Messengers – Where Researchers Become Storytellers

In the Tambopata region of Peru, Macaw Project followed conservationists and local communities working together to protect macaw populations. But the film wasn’t made by a distant film crew. It was shot by the researchers themselves.

We see them climb trees to check on nests. Record data by torchlight. Sit with villagers to explain macaw behaviour. The story becomes human, vulnerable, immediate.

Storytelling Elements:

Authentic narratives: By handing the camera to the researchers, the storytelling remains raw and intimate.

Community involvement: Locals are not side characters—they are central to the solution.

Educational clarity: Complex science is translated into simple, emotional terms that everyone can grasp.

Impact: The documentary reached global audiences, raised funding for macaw protection, and proved that conservation is not just about animals—it’s about people, too. It has become a model for community-driven conservation media.

Every powerful movement begins with a story. We at Simit Bhagat Studios help organisations bring theirs to life—through films, illustrations, and more. 

If you’re ready to tell stories that inspire action, reach out to us.


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Swanand Deo

Web Development Specialist

Swanand Deo is a WordPress and Web Development Specialist working on various digital projects. With over a decade of experience in the design and development space, he has collaborated with over 50 national and international clients. He specialises in User Experience (UX) design, WordPress development, and creating engaging digital experiences. He holds a Bachelor of Fine Arts from the University of Pune.

Mrinali Parmar

Associate (Partnerships)

Mrinali Parmar works on operations and building partnerships with social impact organisations. With five years of work experience, she has focused on education and promoting awareness of climate change and sustainability in her operations role. She holds a Master’s Degree in Commerce from the University of Mumbai and is passionate about linguistics, speaking six languages.

Swarnima Ranade

Voice Actress

Swarnima Ranade is a medical doctor turned voice actress who has done voice-over work for everything from commercials to documentaries to corporate narration to children’s books. She has worked with numerous noteworthy businesses in the past, such as Tata, Uber, Walmart, and YouTube Kids. She graduated from SVU in Gujarat with a degree in dental surgery.

Kumar Shradhesh Nayak

Illustrator

Kumar Shradhesh Nayak is a professional artist, illustrator, and graphic designer who studied at the National Institute of Fashion Technology in Hyderabad. His experience includes stints at EkakiVedam and Design Avenue, both of which are prominent advertising firms. He enjoys trying out new approaches to illustration and creates artwork for a variety of projects.

Divya Shree

Content Producer cum Editor

Divya Shree is a media alumna from Symbiosis Institute in Pune who loves producing and editing non-fiction content. She has directed, shot, and edited videos for various productions. Her strengths are research, audience awareness, and the presentation of intricate topics with clarity and interest.

Manish Mandavkar

Motion Editor

Manish Mandavkar has studied animation at Arena Animation in Mumbai. He has previously worked on animated videos and motion graphics for brands, including Unilever and Zee Movies. An avid gamer, he is also passionate about sketching and photography. He holds a degree in Commerce from the University of Mumbai.

Joel Machado

Film Editor

Mumbai-based creative consultant and film editor Joel Machado has worked on documentaries as well as films in the mainstream Bollywood sector. He was also the Chief Assistant Director on the Jackie Shroff short, “The Playboy, Mr. Sawhney.” In addition to earning a B.Com from Mumbai University, he attended the city’s Digital Academy to hone his script writing skills.

Apoorva Kulkarni

Partnership Manager

Apoorva Kulkarni is the Partnerships Manager, and is responsible for developing strategic alliances and collaborative initiatives with other organisations in the social development ecosystem. For the past five years, she has been employed by major corporations, including Perthera (USA) and Genotypic Technology. She has written and published poetry, and she has been an integral part of The Bidesia Project. At Georgetown University in the United States, she earned a Master of Science in Bioinformatics.

Aliefya Vahanvaty

Sr. Creative Partner

Senior Creative Partner, Aliefya Vahanvaty has worked in a wide range of editorial roles over the course of her career, gaining experience as a correspondent, copy editor, writer, photographer, and assistant editor at publications like the Times of India, Forbes India, Open Magazine, Impact Magazine, and others. In addition to her MA in Sociology from Mumbai University, she also has an MA in Photojournalism from the University of Westminster in the United Kingdom.

Simit Bhagat

Founder

Founder, Simit Bhagat has worked in the fields of filmmaking, project management, and journalism for over 15 years. He has served in a variety of positions for organisations like the Times of India, the Maharashtra Forest Department, the Tata Trusts, and the Thomson Reuters Foundation. From the University of Sussex in the United Kingdom, he earned a Master of Arts in Science, Society, and Development.