Visual Stories from Palghar’s Tribal Farms

From brick kilns to blooming orchards, see how Palghar’s farmers found dignity and voice through photos, stories, and sound.
LUPIN Foundation

He used to leave before dawn with his family, chasing wages at a brick kiln. Today, he waters jasmine in his own field. For generations, Palghar’s indigenous Warli communities lived by the forests. As forests receded, their lives narrowed to rain-fed rice, barely enough to eat. Migration became routine. Men, women, even children, walked into kilns and construction sites far from home.

Over the past decade, Lupin Human Welfare & Research Foundation, with support from National Bank for Agriculture and Rural Development (NABARD), has been working to change this story. From orchards to wells, from women’s collectives to farmer-producer organisations, their interventions opened pathways for stability.

When they reached out to us at Simit Bhagat Studios, their wish was simple: tell this story differently. Not a report, not a file of data, but something donors, partners, and even the communities themselves could hold, see, and hear.

Why We Told This Story Differently

For us, the challenge was not only to show what changed in Palghar, but to show it in a way people could feel.

That is how the coffee table book came to life. A photo-led, richly textured journey that flowed like the rivers and orchards of Dahanu, carrying both numbers and faces.

The challenge was not only to show what changed in Palghar, but to show it in a way people could feel.

And alongside it, we shaped an audio story; farmers and women in their own voices, their portraits appearing as they spoke, set against a quiet score. Because some truths are too alive to be only read; they need to be heard.

The Story Behind the Project

We worked on everything, planning, shoots, field interviews, writing, and design. The project was rooted in NABARD’s Integrated Tribal Development Programme, implemented by Lupin Foundation.

The aim: to highlight not only water systems, orchards, and Farmer Producer Organisations (FPOs), but also what they meant; children in school instead of brick kilns, women running small businesses, men staying home to farm jasmine and mangoes. Overall, we wanted to create more than documentation. We wanted to create presence.

What We Learned as Storytellers

Photographs prove. Voices move. Together, they build trust.

The coffee table book gave donors a way to see impact in faces and fields, while the audio story invited them to hear the heartbeat of Palghar. One showed how; the other showed why it matters. Our role was to design for both clarity and dignity. To place every photo, every number, every voice so that it spoke without noise.

Photographs prove. Voices move. Together, they build trust.

The story of Palghar is not of aid delivered, but of futures reclaimed. Farmers who once left their land now plan orchards for their children. Women who once hesitated to speak now run savings groups and tailoring centres.

From textured pages to recorded voices, this project taught us that stories don’t only sit in books or reports. They live in faces, fields, and voices, and if you listen closely, they flow like a river.

Let’s Keep the Story Going

At Simit Bhagat Studios, we believe stories like these are not just about impact, they are about dignity. If you work in development and want to explore how complex interventions can be told visually, our newsletter may interest you. We share reflections like these, design insights, and stories of change that honour both detail and humanity.


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Swanand Deo

Web Development Specialist

Swanand Deo is a WordPress and Web Development Specialist working on various digital projects. With over a decade of experience in the design and development space, he has collaborated with over 50 national and international clients. He specialises in User Experience (UX) design, WordPress development, and creating engaging digital experiences. He holds a Bachelor of Fine Arts from the University of Pune.

Mrinali Parmar

Associate (Partnerships)

Mrinali Parmar works on operations and building partnerships with social impact organisations. With five years of work experience, she has focused on education and promoting awareness of climate change and sustainability in her operations role. She holds a Master’s Degree in Commerce from the University of Mumbai and is passionate about linguistics, speaking six languages.

Swarnima Ranade

Voice Actress

Swarnima Ranade is a medical doctor turned voice actress who has done voice-over work for everything from commercials to documentaries to corporate narration to children’s books. She has worked with numerous noteworthy businesses in the past, such as Tata, Uber, Walmart, and YouTube Kids. She graduated from SVU in Gujarat with a degree in dental surgery.

Kumar Shradhesh Nayak

Illustrator

Kumar Shradhesh Nayak is a professional artist, illustrator, and graphic designer who studied at the National Institute of Fashion Technology in Hyderabad. His experience includes stints at EkakiVedam and Design Avenue, both of which are prominent advertising firms. He enjoys trying out new approaches to illustration and creates artwork for a variety of projects.

Divya Shree

Content Producer cum Editor

Divya Shree is a media alumna from Symbiosis Institute in Pune who loves producing and editing non-fiction content. She has directed, shot, and edited videos for various productions. Her strengths are research, audience awareness, and the presentation of intricate topics with clarity and interest.

Manish Mandavkar

Motion Editor

Manish Mandavkar has studied animation at Arena Animation in Mumbai. He has previously worked on animated videos and motion graphics for brands, including Unilever and Zee Movies. An avid gamer, he is also passionate about sketching and photography. He holds a degree in Commerce from the University of Mumbai.

Joel Machado

Film Editor

Mumbai-based creative consultant and film editor Joel Machado has worked on documentaries as well as films in the mainstream Bollywood sector. He was also the Chief Assistant Director on the Jackie Shroff short, “The Playboy, Mr. Sawhney.” In addition to earning a B.Com from Mumbai University, he attended the city’s Digital Academy to hone his script writing skills.

Apoorva Kulkarni

Partnership Manager

Apoorva Kulkarni is the Partnerships Manager, and is responsible for developing strategic alliances and collaborative initiatives with other organisations in the social development ecosystem. For the past five years, she has been employed by major corporations, including Perthera (USA) and Genotypic Technology. She has written and published poetry, and she has been an integral part of The Bidesia Project. At Georgetown University in the United States, she earned a Master of Science in Bioinformatics.

Aliefya Vahanvaty

Sr. Creative Partner

Senior Creative Partner, Aliefya Vahanvaty has worked in a wide range of editorial roles over the course of her career, gaining experience as a correspondent, copy editor, writer, photographer, and assistant editor at publications like the Times of India, Forbes India, Open Magazine, Impact Magazine, and others. In addition to her MA in Sociology from Mumbai University, she also has an MA in Photojournalism from the University of Westminster in the United Kingdom.

Simit Bhagat

Founder

Founder, Simit Bhagat has worked in the fields of filmmaking, project management, and journalism for over 15 years. He has served in a variety of positions for organisations like the Times of India, the Maharashtra Forest Department, the Tata Trusts, and the Thomson Reuters Foundation. From the University of Sussex in the United Kingdom, he earned a Master of Arts in Science, Society, and Development.