Voices in the Fields: A Story from Palghar’s Farms

An audio story of orchards, wells, and resilience that reshaped life in the tribal belt.

It begins not with a picture, but with a voice.

“We had to migrate for work along with our children. Our yield was hardly enough for self-consumption. We sowed the seeds in the first rain. We only earned about forty thousand rupees a year from it.”

This is the sound of Palghar, a district in Maharashtra where the Warli community has lived close to the forest for generations. For years, survival meant rice cultivation and migration. Families left their villages to work in kilns and on construction sites, sending children to boarding schools while fields back home lay fallow.

Over the past decade, Lupin Human Welfare & Research Foundation (LHWRF), with support from National Bank for Agriculture and Rural Development (NABARD), has been working to change this story. Orchards, wells, farmer-producer organisations, and self-help groups have opened pathways for stability. And when LHWRF wanted to share this change, they realised some truths could not be captured in photographs alone. They needed to be heard.

Why an Audio Story

LHWRF had already decided to document its work in Palghar through a coffee table book. With support from NABARD, the book brought together textured design, bold photography, and impact stories that showed the scale and spirit of the interventions. It carried numbers, faces, and fields in a way that reports often cannot.

But as the team interviewed farmers for the book, another layer of storytelling emerged. The voices themselves, raw, unscripted, deeply personal, carried a weight that no text or image could hold alone. That is how the idea of an audio story took shape, as an add-on to the book.

The voices themselves, raw, unscripted, deeply personal, carried a weight that no text or image could hold alone.

In the audio, still portraits of farmers appear as their voices play, sometimes accompanied by glimpses of their fields and work. Their testimonies, about orchards, wells, self-help groups, and new incomes, bring LHWRF’s journey to life with intimacy and immediacy. For anyone listening, the impact is not just seen but felt.

Voices That Speak of Change

A farmer recalls how rice alone once forced his family to migrate. After planting mango and cashew, supported with wells and drip irrigation, he could finally stay home. “Now, from jasmine and cashews, I make fifty thousand rupees a year.”

Another speaks of water: “When our group asked for a well, they provided us with a well. We use it for our trees and vegetable farming. It also provides village people with drinking water.”

After planting mango and cashew, supported with wells and drip irrigation, I make fifty thousand rupees a year.

Women, too, tell of transformation. One recalls three months of sewing training and the moment trust was built when work and wages followed. Another describes her self-help group, where eleven women save together, take loans, and send children to school. “Till date we have saved forty-eight thousand. We had taken a loan of fifty thousand from the bank. We are slowly repaying that.”

In a farmer-producer organisation with over 500 members, men explain how eliminating the middleman has given them more power. From fertiliser to rice, everything sold is for the improvement of farming.

Photographs by Simit Bhagat | LUPIN Foundation

A Quiet but Powerful Record

The design is simple. Just the farmers, women, some narration, and their own words, set against a quiet score. What results is not an interview or a report, but a listening experience, one that carries the emotion of lives reclaimed.

The audio story carries the emotion of lives reclaimed.

For donors, partners, and communities, the audio serves as a complementary companion to the book. One shows faces and fields; the other carries voices and breaths. Together, they form a record that is visual, aural, and deeply human.

Passing On Futures

The story the audio carries is not only about crops or credit. It is about dignity. Farmers no longer leave their homes in search of work. Women sit in groups, confident in their savings. Children study without interruption. Orchards and wells have replaced the dust of migration with the fragrance of jasmine.

By recording these voices, LHWRF and NABARD did more than capture data. They held presence. And by doing so they ensured that the future of Palghar not only gets seen, but gets heard. 

Let’s Keep the Story Going

At Simit Bhagat Studios, we believe stories like these are not just about impact, they are about dignity. If you work in development and want to explore how complex interventions can be told visually and aurally, our newsletter may interest you. We share reflections like these, design insights, and stories of change that honour both detail and humanity.


Rahul More

Video Editor

Rahul works on video editing and motion graphics across various formats. He previously worked in post-production at Sallys, with experience across commercials, web series, and digital content. He has over three years of experience in video editing and motion graphics. He enjoys reading, playing cricket, fish keeping and making short films. He holds a Bachelor’s degree in Mass Media (Journalism) and a Diploma in Filmmaking from Rachana Sansad Institute, Mumbai.

Abhinav S S

Illustrator

Abhinav works on in-house blog illustrations, storyboarding and various visual projects aligned with the studio’s creative direction. He is currently pursuing a Bachelor’s degree in Fashion Communication from National Institute of Fashion Technology (NIFT) Bhopal. He has played competitive cricket for the state of Kerala and has a strong interest in painting and graffiti.

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Swanand Deo

Web Development Specialist

Swanand Deo is a WordPress and Web Development Specialist working on various digital projects. With over a decade of experience in the design and development space, he has collaborated with over 50 national and international clients. He specialises in User Experience (UX) design, WordPress development, and creating engaging digital experiences. He holds a Bachelor of Fine Arts from the University of Pune.

Aashna Chandra

Graphic Designer

Aashna works on publications, UI/UX and branding projects at SBS. She has previously worked with organisations across the social impact and development space. Her work focuses on layout design, visual identity systems and user interfaces across print and digital formats. She studied at the United Institute of Design, Gandhinagar, specialising in branding, typography, editorial design and packaging.

Vivek Warang

Digital Illustrator

Vivek works on translating ideas into visual narratives. His work ranges from creating storyboards and illustrations to ideation for special visual storytelling projects. He previously worked as an illustrator at OckyPocky. He enjoys telling stories through images and bringing concepts to life through his drawings. He holds a Bachelor’s degree in Applied Arts from D.Y. Patil College, Pune, with a specialisation in Illustration.

Rajshree Goswami

Content Writer

Rajshree began her professional journey in Kolkata and has over four years of experience as a creative writer and proofreader for academic papers. At SBS, she works across all content, including blogs, transcripts, quality checks and writing for annual reports. She is an avid reader and enjoys cinema, fiction and creative writing. She holds a Bachelor’s degree in English Honours from West Bengal State University.

Bhavesh Dhote

Founder’s Office

Bhavesh is part of the Founder’s Office, working across in-house operations, social media strategy, strategic initiatives, market research and film production. He holds a Bachelor’s degree in Electronics and Telecommunications Engineering with a Diploma in AI and Machine Learning from D.J. Sanghvi College of Engineering, Mumbai. He is also a professional badminton player, marathon runner, trekker and plays euphonium and trumpet.

Manish Mandavkar

Motion Editor

Manish Mandavkar has studied animation at Arena Animation in Mumbai. He has previously worked on animated videos and motion graphics for brands, including Unilever and Zee Movies. An avid gamer, he is also passionate about sketching and photography. He holds a degree in Commerce from the University of Mumbai.

Joel Machado

Film Editor

Mumbai-based creative consultant and film editor Joel Machado has worked on documentaries as well as films in the mainstream Bollywood sector. He was also the Chief Assistant Director on the Jackie Shroff short, “The Playboy, Mr. Sawhney.” In addition to earning a B.Com from Mumbai University, he attended the city’s Digital Academy to hone his script writing skills.

Rohit Sreekumar

Founder’s Office

Rohit is responsible for developing strategic alliances and collaborative initiatives in the social sector. He also works on project management and helps internal teams stay on track. He has previously worked at early-stage startups across product and growth roles. In his free time, he enjoys binge-watching series, gaming and reading. He holds a Master’s degree in Computer Applications from Amrita Vishwa Vidyapeetham, Karnataka.

Aliefya Vahanvaty

Sr. Creative Partner

Senior Creative Partner, Aliefya Vahanvaty has worked in a wide range of editorial roles over the course of her career, gaining experience as a correspondent, copy editor, writer, photographer, and assistant editor at publications like the Times of India, Forbes India, Open Magazine, Impact Magazine, and others. In addition to her MA in Sociology from Mumbai University, she also has an MA in Photojournalism from the University of Westminster in the United Kingdom.

Simit Bhagat

Founder

Founder, Simit Bhagat has worked in the fields of filmmaking, project management, and journalism for over 15 years. He has served in a variety of positions for organisations like the Times of India, the Maharashtra Forest Department, the Tata Trusts, and the Thomson Reuters Foundation. From the University of Sussex in the United Kingdom, he earned a Master of Arts in Science, Society, and Development.