How Non-Profits Use Storytelling to Transform the Lives of the Elderly

Mumbai
Storytelling for Elderly

On a quiet morning in Copenhagen, Ole Kassow watched an elderly man sitting alone by the roadside. The city hummed with cyclists rushing to work, but this man seemed lost in thought, his eyes following every passing bike. Ole wondered if the man once rode those same streets in his youth—if he remembered the feeling of the wind in his hair.

This small observation turned into a question that would reshape how we see ageing: What happens when we invite seniors to share their stories? In a world where 1 in 4 older people experiences social isolation, according to the World Health Organization, non-profits are stepping up to bring seniors’ voices back to the centre.

So how can non-profits do it? How can they use storytelling not just as a tool, but as a lifeline—bringing dignity, connection, and meaning back to those who carried us here?

1. Creating Safe Spaces for Shared Memories

One powerful way to bring seniors’ stories forward is by creating spaces that feel like home. Spaces where every story is welcome—no matter how small or how long ago.

Addaghar in Guwahati, India, does this beautifully. Founded by Meenaxi Barkotoki, Addaghar is a warm, inviting space where seniors gather twice a week to talk, laugh, and share memories over tea. This isn’t just a club—it’s a sanctuary that replaces the quiet loneliness of empty rooms with conversation and companionship.

Addaghar is a sanctuary that replaces the quiet loneliness of empty rooms with conversation and companionship.

Addaghar’s approach is simple: offer a room, a cup of tea, and a listening ear. During the pandemic, the seniors themselves reached out to Meenaxi, urging her to reopen. Their laughter and memories were too precious to lose. In this shared space, seniors feel seen again—like part of a living, breathing community that values their stories.

This kind of storytelling isn’t flashy or expensive. It’s about presence. It’s about honouring the everyday details of a life well lived. And it’s a model any non-profit can adapt, no matter the scale or budget.

2. Turning Everyday Experiences into Living Stories

Another way non-profits are using storytelling to reach the elderly is by turning familiar activities into shared journeys of memory and conversation.

Cycling Without Age, founded in 2012 in Denmark, brings this idea to life with trishaw rides that take seniors out of care homes and back into the world. Pilots pedal slowly through old neighbourhoods, and seniors share the stories that live in every street corner and café.

Cycling Without Age brings the idea of taking seniors out of care homes and back into the world to life.

The impact of these rides is well-documented. A 2018 study in Spain reported that seniors “felt more motivated and happy” after rides. In Singapore, a 2019 study found an 60% improvement in mood and outlook after just five trips. These aren’t just rides—they’re journeys into memory, powered by conversation and connection.

Moreover, Cycling Without Age shows that you don’t need big budgets to create big impact. By turning everyday experiences—like a gentle ride down a familiar road—into storytelling opportunities, non-profits can make seniors feel like the protagonists of their own lives again.

3. Using Letters to Bridge Distances and Loneliness

In a world that often moves too fast for handwritten notes, the simple act of sending a letter can feel revolutionary. That’s exactly what Love For Our Elders in the United States is doing—bridging gaps of distance and isolation with the gentle power of words.

Founded by Jacob Cramer in 2013, this initiative has sent over 750,000 handwritten letters to seniors worldwide. Each letter carries more than ink—it carries the message that someone out there cares.

Each letter carries more than ink—it carries the message that someone out there cares.

During the COVID-19 pandemic, when physical visits were impossible, these letters became windows to the outside world. Seniors said the letters brought them hope and comfort, showing that even small gestures can break through walls of loneliness.

For non-profits, this approach is a reminder that connection doesn’t always need grand gestures. A pen, paper, and a few kind words can rekindle the joy of being remembered.

4. Turning Pain into Purpose through Advocacy

Some stories are hard to hear, but sharing them can be the first step towards healing and change. Non-profits like HelpAge India are using storytelling to highlight the harsh reality of elder abuse and neglect.

Their campaign, #MainBhiHoon, features the voices of elderly women who have been overlooked and mistreated, reminding us all that they deserve respect and care.

HelpAge India’s #MainBhiHoon campaign features the voices of elderly women who have been overlooked and mistreated.

In 2018, a HelpAge India intern shared on Instagram the story of a mother who was pushed from a rooftop by her son, simply because she was a dependent. This shocking story reached thousands of young people and sparked real conversations about the need for compassion and advocacy.

By amplifying these stories, HelpAge India doesn’t just raise awareness—it empowers seniors to speak up and encourages young people to listen. In doing so, they turn painful stories into powerful calls for change, ensuring no senior feels invisible again.

5. Using Movement and Music to Unlock Stories

Not all stories are told in words. Some live in dance, laughter, and song. In Minnesota, Kairos Alive! blends dance and storytelling to help the elderly reconnect with their bodies and memories.

Their intergenerational dance halls invite seniors, children, and caregivers to move together—turning a quiet care home into a space filled with music and memory.

Not all stories are told in words. Some live in dance, laughter, and song.

A study by St. Catherine University found that these dance sessions improved seniors’ balance and memory—no small feat for frail residents. But beyond numbers, it’s the joy that matters most. In every shared step, seniors reclaim not just their stories, but their sense of self.

Stories That Build Bridges Across Generations

These five approaches show that storytelling isn’t just a tool—it’s a bridge. A way to bring seniors out of the shadows of loneliness and back into the warmth of connection.

Moreover, each organisation proves that you don’t need big budgets or fancy technology to bring these stories to life. All it takes is a little patience, a little creativity, and a willingness to listen.

So, if you’re passionate about building a world where every senior feels heard and valued, ask yourself: how can you create these bridges in your own community?

And if you’d like to learn more about how stories can shape a kinder world, subscribe to our newsletter for real-life examples, research, and tips to put storytelling into action.


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Swanand Deo

Web Development Specialist

Swanand Deo is a WordPress and Web Development Specialist working on various digital projects. With over a decade of experience in the design and development space, he has collaborated with over 50 national and international clients. He specialises in User Experience (UX) design, WordPress development, and creating engaging digital experiences. He holds a Bachelor of Fine Arts from the University of Pune.

Mrinali Parmar

Associate (Partnerships)

Mrinali Parmar works on operations and building partnerships with social impact organisations. With five years of work experience, she has focused on education and promoting awareness of climate change and sustainability in her operations role. She holds a Master’s Degree in Commerce from the University of Mumbai and is passionate about linguistics, speaking six languages.

Swarnima Ranade

Voice Actress

Swarnima Ranade is a medical doctor turned voice actress who has done voice-over work for everything from commercials to documentaries to corporate narration to children’s books. She has worked with numerous noteworthy businesses in the past, such as Tata, Uber, Walmart, and YouTube Kids. She graduated from SVU in Gujarat with a degree in dental surgery.

Kumar Shradhesh Nayak

Illustrator

Kumar Shradhesh Nayak is a professional artist, illustrator, and graphic designer who studied at the National Institute of Fashion Technology in Hyderabad. His experience includes stints at EkakiVedam and Design Avenue, both of which are prominent advertising firms. He enjoys trying out new approaches to illustration and creates artwork for a variety of projects.

Divya Shree

Content Producer cum Editor

Divya Shree is a media alumna from Symbiosis Institute in Pune who loves producing and editing non-fiction content. She has directed, shot, and edited videos for various productions. Her strengths are research, audience awareness, and the presentation of intricate topics with clarity and interest.

Manish Mandavkar

Motion Editor

Manish Mandavkar has studied animation at Arena Animation in Mumbai. He has previously worked on animated videos and motion graphics for brands, including Unilever and Zee Movies. An avid gamer, he is also passionate about sketching and photography. He holds a degree in Commerce from the University of Mumbai.

Joel Machado

Film Editor

Mumbai-based creative consultant and film editor Joel Machado has worked on documentaries as well as films in the mainstream Bollywood sector. He was also the Chief Assistant Director on the Jackie Shroff short, “The Playboy, Mr. Sawhney.” In addition to earning a B.Com from Mumbai University, he attended the city’s Digital Academy to hone his script writing skills.

Apoorva Kulkarni

Partnership Manager

Apoorva Kulkarni is the Partnerships Manager, and is responsible for developing strategic alliances and collaborative initiatives with other organisations in the social development ecosystem. For the past five years, she has been employed by major corporations, including Perthera (USA) and Genotypic Technology. She has written and published poetry, and she has been an integral part of The Bidesia Project. At Georgetown University in the United States, she earned a Master of Science in Bioinformatics.

Aliefya Vahanvaty

Sr. Creative Partner

Senior Creative Partner, Aliefya Vahanvaty has worked in a wide range of editorial roles over the course of her career, gaining experience as a correspondent, copy editor, writer, photographer, and assistant editor at publications like the Times of India, Forbes India, Open Magazine, Impact Magazine, and others. In addition to her MA in Sociology from Mumbai University, she also has an MA in Photojournalism from the University of Westminster in the United Kingdom.

Simit Bhagat

Founder

Founder, Simit Bhagat has worked in the fields of filmmaking, project management, and journalism for over 15 years. He has served in a variety of positions for organisations like the Times of India, the Maharashtra Forest Department, the Tata Trusts, and the Thomson Reuters Foundation. From the University of Sussex in the United Kingdom, he earned a Master of Arts in Science, Society, and Development.