From Views to Impact: The Rise of Livestream Fundraising with Influencers

Mumbai
Rise of Influencers

Social media shapes the way millions think, talk, and act every single day. A single viral post can spark a global debate, while a livestream can unite people across continents in real time. Hence, it’s no surprise that this influence is changing the way people donate.

As fundraising expert Larry Johnson said in Episode 8 of our podcast Stories of Change: “You need to be present where your supporters and potential supporters are.” The idea is simple: the heart of giving hasn’t changed, but the spaces where we connect with causes certainly have.

That’s where influencers step in. Around the world, creators are using their reach and relatability to turn livestreams into powerful fundraising tools. Whether it’s a global mega-marathon or a quiet game of chess, these digital events are proving that online influence can drive very real change.

Here are five stories that show how and why influencer fundraising works.

1. MrBeast and the New Age of Livestream Philanthropy

Few creators have pushed livestream fundraising to the scale of MrBeast (Jimmy Donaldson). On 1 August 2025, he teamed up with engineer-YouTuber Mark Rober to launch #TeamWater, aiming to raise $40 million for clean drinking water through WaterAid. Within weeks, they had already secured the equivalent of 6 million years of water access.

It peaked on August 14, 2025, when MrBeast, Adin Ross and xQc went live on Kick and stayed on for 15 hours and 40 minutes: this stream was a world record attempt for longest continuous live stream, and once confirmed, made an official Guinness World Record. The marathon stream concluded with a donation amount of $12.02 million. The energy soared even higher with surprise pledges, including a massive $2.25 million gift from hedge fund manager Kenneth Griffin.

Tell a story people want to share, involve the community and make results visible.

But it wasn’t just about the money. Earlier that summer, MrBeast invited donors who gave $100,000 or more to spend a weekend at his North Carolina studio, showing how philanthropy can feel personal and participatory. From #TeamTrees to #TeamSeas, his model has stayed the same: tell a story people want to share, involve the community, and make results visible.

2. Nikhil Kamath and the Power of a Chessboard

Now let’s change gears from mega-streams to something more understated but just as important: chess. In June 2021, Indian entrepreneur Nikhil Kamath played against former World Champion Viswanathan “Vishy” Anand in a live simul on Chess.com India to raise money for The Akshaya Patra Foundation’s COVID-19 relief efforts.

A classic board game turned into an engine for generosity with clear donation paths, trusted cultural icons, and total transparency.

The line-up featured celebrities like Aamir Khan, Riteish Deshmukh, Yuzvendra Chahal, and Kiccha Sudeep, drawing in audiences well beyond chess fans. By the end of the evening, they had raised ₹10 lakh, contributing to the wider “Checkmate COVID” initiative, which had already mobilised ₹60 lakh and over US $50,000 from earlier charity games. Its success came from keeping things simple: clear donation paths, trusted cultural icons and total transparency. A classic board game turned into an engine for generosity.

3. Tanmay Bhat and the Rise of Creator Collectives

If MrBeast showed what global scale looks like, comedian Tanmay Bhat showed how Indian creators could mobilise communities in moments of crisis.

When COVID’s first wave hit in April 2020, Tanmay turned his YouTube channel into a fundraising hub. Over two eight-hour marathons called Stay Home For India, he and Kaneez Surka (South African actress and comedian) brought together more than 80 creators, running roasts, quizzes, games and improv. The result: ₹24.6 lakh raised, funding PPE kits for hospitals and rations for waste pickers through COVIDINDIA.org and Kashtakari Panchayat Trust.

Clear outcomes plus community energy can generate immediate support.

A year later, during the second wave, he scaled it up. In May 2021, with Samay Raina (Comedian and YouTuber), he co-hosted Show Up For India, a two-day telethon featuring chess, GeoGuessr, improv and live music. Backed by GiveIndia and Hemkunt Foundation, the event raised a massive ₹62 lakh. The formula worked because it was collaborative, transparent and engaging. This shows us how clear outcomes plus community energy can generate immediate support.

4. Jacksepticeye and the Spirit of Thankmas

While many livestream fundraisers run once, Irish creator Jacksepticeye (Seán McLoughlin) turned his into a yearly tradition: Thankmas. Every December, thousands of creators join in, all streaming for the same cause, anchored by Jack’s central broadcast.

Since launch, Thankmas has raised over $26 million:

And even in 2024, with a focus on mental health, it still brought in $3.2 million+ for Crisis Text Line and Samaritans.

The secret? Accessibility. Any creator can launch a Thankmas fundraiser on Tiltify, while Jack’s main stream keeps the energy high with celebrity appearances and milestone unlocks. It feels less like a fundraiser, more like a global movement; one where generosity naturally multiplies.

5. Mythpat, Slayy Point, and “Mask On India”

During India’s brutal second COVID wave in April 2021, creators Mythpat (Mithilesh Patankar) and Slayy Point (Abhyudaya Mohan and Gautami Kawale) stepped up. On 25 April, they hosted Mask On India, a 7.5-hour YouTube livestream featuring more than 35 creators, among them CarryMinati, Ashish Chanchlani, Tanmay Bhat, Technical Guruji, and Kusha Kapila.

Urgency, along with unity, transformed entertainment into immediate relief.

The results were staggering: ₹50–51 lakh raised in one night, all channelled to the Hemkunt Foundation for oxygen supply. A live donation tally, rotating guests, and constant reminders kept viewers engaged. The stream went on to cross 13 million views, magnifying the effect far beyond that night. Urgency, along with unity, transformed entertainment into immediate relief.

The Future of Fundraising Is Interactive

From record-breaking kick marathons to a single chessboard in India, these examples highlight one truth: livestreams are shifting philanthropy. The magic isn’t only in the scale, it’s in the participation. Donors don’t feel like spectators; they feel like part of something bigger.

For nonprofits, the chance is wide open. Partner with influencers, make donation paths transparent and keep audiences engaged in real time. Done well, fundraising shifts from a transaction into an experience people want to join.

Influencers bring reach. Nonprofits bring purpose. Livestreaming bridges the two. Together, they are demonstrating that generosity can be instant, visible and profoundly human, even in the digital age.

Want more real-world examples like these, plus practical ideas on how your NGO can design campaigns that inspire trust and move people?

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Rahul More

Video Editor

Rahul works on video editing and motion graphics across various formats. He previously worked in post-production at Sallys, with experience across commercials, web series, and digital content. He has over three years of experience in video editing and motion graphics. He enjoys reading, playing cricket, fish keeping and making short films. He holds a Bachelor’s degree in Mass Media (Journalism) and a Diploma in Filmmaking from Rachana Sansad Institute, Mumbai.

Abhinav S S

Illustrator

Abhinav works on in-house blog illustrations, storyboarding and various visual projects aligned with the studio’s creative direction. He is currently pursuing a Bachelor’s degree in Fashion Communication from National Institute of Fashion Technology (NIFT) Bhopal. He has played competitive cricket for the state of Kerala and has a strong interest in painting and graffiti.

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Swanand Deo

Web Development Specialist

Swanand Deo is a WordPress and Web Development Specialist working on various digital projects. With over a decade of experience in the design and development space, he has collaborated with over 50 national and international clients. He specialises in User Experience (UX) design, WordPress development, and creating engaging digital experiences. He holds a Bachelor of Fine Arts from the University of Pune.

Aashna Chandra

Graphic Designer

Aashna works on publications, UI/UX and branding projects at SBS. She has previously worked with organisations across the social impact and development space. Her work focuses on layout design, visual identity systems and user interfaces across print and digital formats. She studied at the United Institute of Design, Gandhinagar, specialising in branding, typography, editorial design and packaging.

Vivek Warang

Digital Illustrator

Vivek works on translating ideas into visual narratives. His work ranges from creating storyboards and illustrations to ideation for special visual storytelling projects. He previously worked as an illustrator at OckyPocky. He enjoys telling stories through images and bringing concepts to life through his drawings. He holds a Bachelor’s degree in Applied Arts from D.Y. Patil College, Pune, with a specialisation in Illustration.

Rajshree Goswami

Content Writer

Rajshree began her professional journey in Kolkata and has over four years of experience as a creative writer and proofreader for academic papers. At SBS, she works across all content, including blogs, transcripts, quality checks and writing for annual reports. She is an avid reader and enjoys cinema, fiction and creative writing. She holds a Bachelor’s degree in English Honours from West Bengal State University.

Bhavesh Dhote

Founder’s Office

Bhavesh is part of the Founder’s Office, working across in-house operations, social media strategy, strategic initiatives, market research and film production. He holds a Bachelor’s degree in Electronics and Telecommunications Engineering with a Diploma in AI and Machine Learning from D.J. Sanghvi College of Engineering, Mumbai. He is also a professional badminton player, marathon runner, trekker and plays euphonium and trumpet.

Manish Mandavkar

Motion Editor

Manish Mandavkar has studied animation at Arena Animation in Mumbai. He has previously worked on animated videos and motion graphics for brands, including Unilever and Zee Movies. An avid gamer, he is also passionate about sketching and photography. He holds a degree in Commerce from the University of Mumbai.

Joel Machado

Film Editor

Mumbai-based creative consultant and film editor Joel Machado has worked on documentaries as well as films in the mainstream Bollywood sector. He was also the Chief Assistant Director on the Jackie Shroff short, “The Playboy, Mr. Sawhney.” In addition to earning a B.Com from Mumbai University, he attended the city’s Digital Academy to hone his script writing skills.

Rohit Sreekumar

Founder’s Office

Rohit is responsible for developing strategic alliances and collaborative initiatives in the social sector. He also works on project management and helps internal teams stay on track. He has previously worked at early-stage startups across product and growth roles. In his free time, he enjoys binge-watching series, gaming and reading. He holds a Master’s degree in Computer Applications from Amrita Vishwa Vidyapeetham, Karnataka.

Aliefya Vahanvaty

Sr. Creative Partner

Senior Creative Partner, Aliefya Vahanvaty has worked in a wide range of editorial roles over the course of her career, gaining experience as a correspondent, copy editor, writer, photographer, and assistant editor at publications like the Times of India, Forbes India, Open Magazine, Impact Magazine, and others. In addition to her MA in Sociology from Mumbai University, she also has an MA in Photojournalism from the University of Westminster in the United Kingdom.

Simit Bhagat

Founder

Founder, Simit Bhagat has worked in the fields of filmmaking, project management, and journalism for over 15 years. He has served in a variety of positions for organisations like the Times of India, the Maharashtra Forest Department, the Tata Trusts, and the Thomson Reuters Foundation. From the University of Sussex in the United Kingdom, he earned a Master of Arts in Science, Society, and Development.