Breaking Taboos: An Explainer Video on Menstrual Dignity

An animated video emphasising the importance of menstrual dignity with impactful messaging.

In many urban slums, menstruation unfolds quietly in the background of a girl’s life. It shapes her school hours, her confidence, and how safe she feels using the nearest toilet. These realities rarely appear in public conversations, yet they determine whether a girl participates fully in her day or withdraws because she simply doesn’t know where to change a pad or who to talk to about the pain.

When Vacha Charitable Trust reached out to us at Simit Bhagat Studios, they wanted to bring these lived truths into the open. Their team had just completed a detailed study on menstrual hygiene among adolescent girls in the bastis of Mumbai and Thane. The findings were urgent. However, they needed a medium that could carry both sensitivity and clarity. Together, we decided an animated explainer film would be the right format to speak to policymakers, educators, and the public without exposing any girl’s identity.

So, let’s take a look at how some decisions were made, why certain tools were used, and what each creative choice was designed to protect, reveal, or amplify.

Why Animation Became the Medium

From the beginning, Vacha was clear about the heart of the problem: silence. Girls often receive their first period without any prior knowledge. They hide cloth, skip school, and navigate myths passed down through generations. Documenting this on camera inside homes, shared toilets, or school corridors would mean pointing a lens at deeply private spaces. It risked invading the very dignity we were trying to defend.

Animation allowed us to build scenes inspired by real testimonials without showing any girl’s face or location.

Animation offered a respectful alternative. It allowed us to build scenes inspired by real testimonials without showing any girl’s face or location. This protection was central. Animation also enabled moving between lived experience, data, and policy needs in a seamless narrative. It gave us control over pacing, tone, and symbolism in ways live-action could not.

Building the Script From Research

The script began with Vacha’s study, which mapped menstrual hygiene practices, product use, access to toilets, challenges with disposal, and the emotional burden surrounding periods. We treated this study as the spine of the film. Every line in the script answered one question: what does a viewer need to understand, and what must be included to honour the girls’ experiences?

We selected key findings that showed both scale and lived reality. And interestingly enough, during scripting, the government announced it was drafting a policy on menstrual health. This shifted our timeline. The film needed to be ready quickly so Vacha could use it to communicate ground realities to policymakers. Thankfully, we were able to achieve just that.

Designing a Visual Language That Feels Real

To create the film’s visual identity, we began with Vacha’s brand colours. Their red and grey became the anchors, and we built a wider palette around them: muted browns for lanes, soft creams for home interiors, and desaturated tones for clothing. Real basti environments are textured, layered, and often imperfect. We wanted that in the film without turning poverty into a visual motif.

The storyboard translated every script sentence into a frame. If the line mentioned fear, the visual needed to carry that sense without drama. If we showed disposal challenges, the image had to be clear but not sensational. 

During feedback sessions, the Vacha team helped refine these visuals. They pointed out gestures that needed to be more grounded, clothing that required accuracy, and domestic details that helped situate the film in the correct setting. 

Menstruation Issues in India
A still from the explainer video highlighting health issues related to poor menstrual hygiene practices.

Animating With Restraint

Our animation approach was simple: move only where movement mattered. Menstruation carries enough weight on its own. The film didn’t need dramatic transitions or flashy motion.

The camera drifted slowly instead of zooming abruptly. Characters breathed, shifted slightly, or adjusted their clothing. Thus, these small motions kept the world alive without distracting from the message.

Sound played an equally important role. And so, we used multiple voice-overs instead of a single narrator. The aim was authenticity. These voices represent thousands of similar stories; the narration needed to sit gently alongside them.

Background sound was minimal, like faint ambient noises. This made the space believable without overwhelming the testimonial.

Editing For Clarity And Dignity

In post-production, we balanced three things: the flow of the narrative, the readability of data, and the emotional weight of each testimonial. Statistics were shown in simple, spacious compositions. 

We avoided overwhelming the screen with numbers. Meanwhile, the testimonials were layered carefully so they felt like voices in a shared room. This was intentional, as menstrual dignity is not one girl’s story but a collective one.

Let us #BreakTheSilence and promote safe menstrual practices.

A Film Made For Change

For Vacha, the film is now a tool for advocacy. It is used in meetings, community discussions, and policy conversations to show the link between dignity, infrastructure, and the right to information.

For us, it reinforced a core belief: when design, research, and empathy move together, communication becomes more than awareness. It becomes a bridge between lived reality and decision-making.

If your organisation needs to bring a sensitive issue into public view with honesty and care, animation offers a path. We would be glad to help you build a film that carries your message with the intention, humility, and clarity it deserves.


Client: Vacha Charitable Trust
Creative Director: Simit Bhagat 
Research and Script: Divya Shree
Illustrations: Kumar Shradhesh Nayak 
Animation and Editing: Rohan Krishnan
Voiceover: Simona Terron
Character Voices: Divya Shree
Nrupali Kendale and Sahil Todankar  

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Swanand Deo

Web Development Specialist

Swanand Deo is a WordPress and Web Development Specialist working on various digital projects. With over a decade of experience in the design and development space, he has collaborated with over 50 national and international clients. He specialises in User Experience (UX) design, WordPress development, and creating engaging digital experiences. He holds a Bachelor of Fine Arts from the University of Pune.

Mrinali Parmar

Associate (Partnerships)

Mrinali Parmar works on operations and building partnerships with social impact organisations. With five years of work experience, she has focused on education and promoting awareness of climate change and sustainability in her operations role. She holds a Master’s Degree in Commerce from the University of Mumbai and is passionate about linguistics, speaking six languages.

Swarnima Ranade

Voice Actress

Swarnima Ranade is a medical doctor turned voice actress who has done voice-over work for everything from commercials to documentaries to corporate narration to children’s books. She has worked with numerous noteworthy businesses in the past, such as Tata, Uber, Walmart, and YouTube Kids. She graduated from SVU in Gujarat with a degree in dental surgery.

Kumar Shradhesh Nayak

Illustrator

Kumar Shradhesh Nayak is a professional artist, illustrator, and graphic designer who studied at the National Institute of Fashion Technology in Hyderabad. His experience includes stints at EkakiVedam and Design Avenue, both of which are prominent advertising firms. He enjoys trying out new approaches to illustration and creates artwork for a variety of projects.

Divya Shree

Content Producer cum Editor

Divya Shree is a media alumna from Symbiosis Institute in Pune who loves producing and editing non-fiction content. She has directed, shot, and edited videos for various productions. Her strengths are research, audience awareness, and the presentation of intricate topics with clarity and interest.

Manish Mandavkar

Motion Editor

Manish Mandavkar has studied animation at Arena Animation in Mumbai. He has previously worked on animated videos and motion graphics for brands, including Unilever and Zee Movies. An avid gamer, he is also passionate about sketching and photography. He holds a degree in Commerce from the University of Mumbai.

Joel Machado

Film Editor

Mumbai-based creative consultant and film editor Joel Machado has worked on documentaries as well as films in the mainstream Bollywood sector. He was also the Chief Assistant Director on the Jackie Shroff short, “The Playboy, Mr. Sawhney.” In addition to earning a B.Com from Mumbai University, he attended the city’s Digital Academy to hone his script writing skills.

Apoorva Kulkarni

Partnership Manager

Apoorva Kulkarni is the Partnerships Manager, and is responsible for developing strategic alliances and collaborative initiatives with other organisations in the social development ecosystem. For the past five years, she has been employed by major corporations, including Perthera (USA) and Genotypic Technology. She has written and published poetry, and she has been an integral part of The Bidesia Project. At Georgetown University in the United States, she earned a Master of Science in Bioinformatics.

Aliefya Vahanvaty

Sr. Creative Partner

Senior Creative Partner, Aliefya Vahanvaty has worked in a wide range of editorial roles over the course of her career, gaining experience as a correspondent, copy editor, writer, photographer, and assistant editor at publications like the Times of India, Forbes India, Open Magazine, Impact Magazine, and others. In addition to her MA in Sociology from Mumbai University, she also has an MA in Photojournalism from the University of Westminster in the United Kingdom.

Simit Bhagat

Founder

Founder, Simit Bhagat has worked in the fields of filmmaking, project management, and journalism for over 15 years. He has served in a variety of positions for organisations like the Times of India, the Maharashtra Forest Department, the Tata Trusts, and the Thomson Reuters Foundation. From the University of Sussex in the United Kingdom, he earned a Master of Arts in Science, Society, and Development.