Framing Urban Health With Clarity: How We Crafted Samyak’s 3-Minute Story

Half a day to shoot, three minutes to persuade. Here’s how we built a text-led film that made urban health feel urgent.

Urban India is growing at a pace that’s hard to ignore in our lifetime. The World Health Organization puts it at 37% of the country’s population, about 535 million people, living in cities today, with projections rising to 950 million by 2050. The World Bank points out that making this shift work will require significant investment, especially because many urban poor communities still face health outcomes that are often worse than those in rural areas. Add to this the increasing burden of non-communicable diseases, and the gaps in the urban health system become difficult to overlook.

Yet there are organisations working to shift this reality. One of them is Samyak, a communication and resource centre dedicated to advancing gender equity, strengthening public health, and promoting human rights. Their work sits at the intersection of gender, masculinities, health, and development, and increasingly, at the heart of India’s urban transformation. As Samyak prepared to speak at an international event, they needed a short, powerful film that could distil the urgency of urban health and their collaborative response to it.

They approached us to create that story.

Understanding the Brief: High Stakes, Limited Time

The ask was clear, but it was challenging. Samyak needed a three- to four-minute video for an international event that would include interviews, on-the-ground footage, and data-driven insights. The team could allot only half a day of shooting, and the film had to reflect the breadth of Samyak’s Urban Health Initiative, a collaborative platform bringing together organisations with diverse skills, experiences, and competencies.

The film had to reflect the breadth of Samyak’s Urban Health Initiative, a collaborative platform bringing together organisations with diverse skills, experiences, and competencies.

Within three minutes, the film had to set out the scale of the urban health crisis, identify gaps in the system, and show how Samyak and partners like Janaagraha are working with city and state governments to build resilient, inclusive, and sustainable urban health systems. That meant the story could not lean on explanation alone. Design had to carry comprehension and pacing, so the message stayed clear while still feeling unhurried.

Also read: Top 5 Community-Led Climate Initiatives in India You Need to Know About

Building the Visual Backbone: Interviews, Reality, and Stock Footage

With a tight shooting schedule, we chose to root the film in real voices, then widen the frame visually through carefully selected stock footage. We treated interviews as the emotional spine. The voice of Anna Roy, Program Director at NITI Aayog, along with two additional ministry-provided interviews, formed the foundation of the narrative. Their words carried credibility, urgency, and lived insight, and they helped the film hold its seriousness while staying accessible.

To establish the city’s context around those voices, we used stock footage that quickly communicated scale. Because urban health is fundamentally about people and environments, we included visuals of dense urban settlements, Mumbai’s expanding cityscape, crowded streets, public travel systems, and community-level interactions. This helped the audience see the ecosystem Samyak is working within, a fast-growing, tightly packed, complex urban reality.

Where possible, we also brought in real program snippets for authenticity. The film felt grounded thanks to glimpses of Samyak’s work, including community camps, consultations, and sequences depicting health systems at the local level. Together, these layers allowed the film to move between lived experience and system-level context without losing its human centre.

Also read:How Smile Foundation Built a Universe of Stories

The Turning Point: When the First Cut Needed More Life

When we stitched together the initial assembly of interviews and stock footage, the film felt useful, yet flat. It had scale, but not enough vigour or clarity to guide the audience through a lot of information in a short time. The material was strong, but the structure needed a clearer visual system to land the story with momentum.

We realised the video needed a consistent design language that could organise ideas, highlight what mattered most, and keep the pace steady from start to finish.

This became the turning point. We realised the video needed a consistent design language that could organise ideas, highlight what mattered most, and keep the pace steady from start to finish.

Why We Shifted to Text-Led Visual Design

Introducing text animation became the breakthrough. Large on-screen text lets audiences catch key numbers fast, which matters in an event hall where attention is scarce. Cues like “535 MILLION”, “37% OF INDIA”, and “950 MILLION BY 2050” made the data land as clean, memorable beats beside interviews, without dragging the film for anyone watching.

We introduced text animation and relied on sliding red transitions, gentle zoom-ins, and small colour accents to keep the visuals flowing from one moment to the next.

Text-led design also helped set rhythm and pace. We relied on sliding red transitions, gentle zoom-ins, and small colour accents to keep the visuals flowing from one moment to the next, so the film never sat still or felt static. This helped the narrative progress cleanly from context to challenges to collaborative responses.

Because the footage came from different sources, text animation also created cohesion. It became the layer that connected interviews, stock shots, program images, and city visuals, so the film felt intentional rather than fragmented. The design did not replace the story. It simply helped hold the pieces together. It also helped make complexity feel simpler. 

The Final Film: Clear, Concise, and Purpose-Built

The finished video lays out the scale of India’s urbanisation, the health disparities within urban populations, and the need for coordinated, cross-sector solutions.

It also presents Samyak’s role in establishing the Urban Health Initiative and the collaborative vision that underpins it. All of this sits inside a compact, energetic three-minute experience designed for the international event it was commissioned for.

When organisations like Samyak step forward with collaborative, community-centred approaches, communication becomes an essential tool for informing, mobilising, and inspiring.

Urban health is one of the defining challenges of India’s future. When organisations like Samyak step forward with collaborative, community-centred approaches, communication becomes an essential tool for informing, mobilising, and inspiring. Our role was to transform a complex message into a film that could travel well, persuade thoughtfully, and remain memorable. 

If your organisation is looking to shape a story with the same care, whether a film, a report, or a full communication strategy, our team would be glad to explore it with you.


Rahul More

Video Editor

Rahul works on video editing and motion graphics across various formats. He previously worked in post-production at Sallys, with experience across commercials, web series, and digital content. He has over three years of experience in video editing and motion graphics. He enjoys reading, playing cricket, fish keeping and making short films. He holds a Bachelor’s degree in Mass Media (Journalism) and a Diploma in Filmmaking from Rachana Sansad Institute, Mumbai.

Mamata Salvi

Finance Specialist

Mamata is a Mumbai-based accounts and finance specialist with over two decades experience in a variety of industry sectors. She holds a Bachelor’s degree in Commerce from University of Mumbai. She is passionate about reading especially Marathi literature.

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Swanand Deo

Web Development Specialist

Swanand Deo is a WordPress and Web Development Specialist working on various digital projects. With over a decade of experience in the design and development space, he has collaborated with over 50 national and international clients. He specialises in User Experience (UX) design, WordPress development, and creating engaging digital experiences. He holds a Bachelor of Fine Arts from the University of Pune.

Aashna Chandra

Graphic Designer

Aashna works on publications, UI/UX and branding projects at SBS. She has previously worked with organisations across the social impact and development space. Her work focuses on layout design, visual identity systems and user interfaces across print and digital formats. She studied at the United Institute of Design, Gandhinagar, specialising in branding, typography, editorial design and packaging.

Vivek Warang

Digital Illustrator

Vivek works on translating ideas into visual narratives. His work ranges from creating storyboards and illustrations to ideation for special visual storytelling projects. He previously worked as an illustrator at OckyPocky. He enjoys telling stories through images and bringing concepts to life through his drawings. He holds a Bachelor’s degree in Applied Arts from D.Y. Patil College, Pune, with a specialisation in Illustration.

Rajshree Goswami

Content Writer

Rajshree began her professional journey in Kolkata and has over four years of experience as a creative writer and proofreader for academic papers. At SBS, she works across all content, including blogs, transcripts, quality checks and writing for annual reports. She is an avid reader and enjoys cinema, fiction and creative writing. She holds a Bachelor’s degree in English Honours from West Bengal State University.

Bhavesh Dhote

Founder’s Office

Bhavesh is part of the Founder’s Office, working across in-house operations, social media strategy, strategic initiatives, market research and film production. He holds a Bachelor’s degree in Electronics and Telecommunications Engineering with a Diploma in AI and Machine Learning from D.J. Sanghvi College of Engineering, Mumbai. He is also a professional badminton player, marathon runner, trekker and plays euphonium and trumpet.

Manish Mandavkar

Motion Editor

Manish Mandavkar has studied animation at Arena Animation in Mumbai. He has previously worked on animated videos and motion graphics for brands, including Unilever and Zee Movies. An avid gamer, he is also passionate about sketching and photography. He holds a degree in Commerce from the University of Mumbai.

Joel Machado

Film Editor

Mumbai-based creative consultant and film editor Joel Machado has worked on documentaries as well as films in the mainstream Bollywood sector. He was also the Chief Assistant Director on the Jackie Shroff short, “The Playboy, Mr. Sawhney.” In addition to earning a B.Com from Mumbai University, he attended the city’s Digital Academy to hone his script writing skills.

Rohit Sreekumar

Founder’s Office

Rohit is responsible for developing strategic alliances and collaborative initiatives in the social sector. He also works on project management and helps internal teams stay on track. He has previously worked at early-stage startups across product and growth roles. In his free time, he enjoys binge-watching series, gaming and reading. He holds a Master’s degree in Computer Applications from Amrita Vishwa Vidyapeetham, Karnataka.

Aliefya Vahanvaty

Sr. Creative Partner

Senior Creative Partner, Aliefya Vahanvaty has worked in a wide range of editorial roles over the course of her career, gaining experience as a correspondent, copy editor, writer, photographer, and assistant editor at publications like the Times of India, Forbes India, Open Magazine, Impact Magazine, and others. In addition to her MA in Sociology from Mumbai University, she also has an MA in Photojournalism from the University of Westminster in the United Kingdom.

Simit Bhagat

Founder

Founder, Simit Bhagat has worked in the fields of filmmaking, project management, and journalism for over 15 years. He has served in a variety of positions for organisations like the Times of India, the Maharashtra Forest Department, the Tata Trusts, and the Thomson Reuters Foundation. From the University of Sussex in the United Kingdom, he earned a Master of Arts in Science, Society, and Development.