When Communities Hold the Mic: The Power of Participatory Storytelling

Mumbai
Participatory Storytelling

In Jetpur village, Dahod, Asmita Vadakkiya stood outside her home, the dry earth beneath her sandals, her hands slightly trembling. It was her first time being filmed. Nervous, she clutched her dupatta, but the words she spoke stayed long after.

“Now that we have water at home, I get more time to farm, care for my children, and feel present.”

Asmita’s story features in A Journey Towards Sustainable Water Access, a film by Collectives for Integrated Livelihoods Initiative (CInI) in collaboration with Simit Bhagat Studios. Importantly, this video didn’t feature an outsider’s voice. Instead, it centred the very people who led the transformation. Her story showed what happens when communities speak for themselves.

Why Stories Like Asmita’s Matter

Asmita is not alone. Across very different places, from tribal Gujarat to the Amazon rainforest, people are starting to hold on to their own stories. They are not just subjects in someone else’s report. They are stepping forward as storytellers.

These pieces are not neat journalistic features. They are first person stories, often rough, deeply personal and sometimes a little messy. Underneath them sits one strong idea: people who live with a problem every day are often the ones closest to its solution.

With participatory storytelling, people speak in their own words. Power shifts back, even a little, to communities who are often described by others yet rarely heard. When that happens, stories stop feeling like distant reports and start to land as close, human moments.

Let’s explore how organisations around the world are embracing this approach, and why participatory storytelling matters?

1. It Creates Emotional Connection

When people share their own stories, the feeling in their voice is usually genuine. Audiences connect quickly, without needing much explanation. Their words often carry both vulnerability and pride. Together, this reaches people in a way a polished, scripted narration almost never can.

In Bhopal, the Akshaya Patra Foundation runs a new centralised kitchen feeding 35,000 students in government schools every day. But instead of numbers, their video titled Akshaya Patra’s Bhopal Kitchen spotlights real people like Shivam, the delivery driver, who said: “We follow safety protocols at every school. We know this food matters, so we give our best every day.”

Then we meet Priyanshi, a young student from Surajnagar. “I love dal rice and kheer. One day, I will become a doctor,” she shares shyly. 

The video humanises a massive operation through soft, personal stories. Also, it has received 1,164 views (as of April 29, 2025) on YouTube. Akshaya Patra Foundation has 31.5K subscribers, showing a steady, growing digital presence. 

2. It Builds Trust and Credibility

When people speak directly, they invite trust. Their voices aren’t polished. But they’re real, and that’s what makes them powerful.

In Ecuador’s Amazon, young climate activists are still battling gas flaring, even after a 2021 court ruling banned the practice. One of them, Escarlette Vitte, speaks calmly into the camera in the video Gas flaring in the Amazon threatens human rights now and in the future: “The gas flare gives off smoke. We breathe that air. And it affects us.”

There’s no need to dramatise her pain. Her words do all the work. The video has received 1,201 views (as of April 29, 2025) on Amnesty International’s YouTube channel, which has a strong subscriber base of 135 K.

Hearing stories from those directly affected leaves little room for doubt; it turns abstract issues into lived realities.

3. It Encourages Ownership and Pride

When people tell their own stories, they feel proud. They’re not being spoken for; they are speaking for themselves. Additionally, storytelling affirms their role not as beneficiaries but as active agents of change.

In Saluka village, Nirod Baran Adak is rewriting what it means to grow old. Trained by HelpAge India, he now teaches others how to make organic compost and grow food.

“It works slowly, like homoeopathy,” says Nirod Baran Adak with a gentle smile in the video Meet this 79-year-old ecological warrior from West Bengal. “But it works. And for me, that’s enough.”

The video shows him lifting tools, working with soil, sharing wisdom, not as fragile, but as essential. It has resonated with viewers and appears on HelpAge India’s YouTube, which has 31.5K subscribers.

4. It Breaks Power Imbalances

Traditional videos often speak about people. Participatory storytelling, however, allows people to speak for themselves. Moreover, the camera becomes an observer, not a commander, documenting dignity rather than delivering judgment.

In a powerful 4-minute film titled Defy the Odds, the International Rescue Committee (IRC) shares stories from crisis zones where women rebuild their lives despite war, displacement, and hunger. Braa Nourin, a Sudanese refugee and now an IRC staffer, shares her resolve: “I survived war in Sudan. I will not die here from hunger. I am stronger than this.”

Each scene follows women teaching, leading, and healing, without commentary. The IRC has 21.8K subscribers, and this video has reached hundreds of viewers, circulating across humanitarian networks.

5. It Adds Relevant Context from the Ground

People in a community often know their own problems better than anyone else who comes in from outside. When they speak about what they see every day, their words carry the right context, a sense of urgency and sometimes even a quiet call to act. They also notice stories that others might skip over or read the wrong way, and that can make something complicated feel much clearer.

Video Volunteers is a community media organisation empowering marginalised voices to spotlight injustice and spark local change.

In one video story, Amol Lalzare, a Mumbai-based creator, documents the struggles of app-based drivers facing rising fuel costs. He says, “I spent ₹17.5 lakhs on my car. But sometimes, I earn just ₹8 per kilometre. That barely covers CNG.”

Other drivers echo him. One says the government supports auto drivers, but not them. Nilesh Rohidas Bhor, a transport union leader, adds: “If a man’s income isn’t secure, the country’s economy suffers too.”

The video has gained 6,428 views (as on April 29, 2025) and is hosted on Video Volunteers’ channel, which has 333K subscribers.

Participatory Storytelling: A New Way to Tell Stories

These aren’t just films. They work like small mirrors. In them you can see courage, grief, hope and quiet signs of progress, all told by people who live this every single day.

Participatory storytelling is not just a method anymore. It has started to feel like a movement. It rewrites who holds the mic and who gets heard. When communities become storytellers, the impact doesn’t fade when the credits roll. It begins there.

If you’re passionate about communications and storytelling in the development sector, don’t miss out on our insights in our newsletter.


Rahul More

Video Editor

Rahul works on video editing and motion graphics across various formats. He previously worked in post-production at Sallys, with experience across commercials, web series, and digital content. He has over three years of experience in video editing and motion graphics. He enjoys reading, playing cricket, fish keeping and making short films. He holds a Bachelor’s degree in Mass Media (Journalism) and a Diploma in Filmmaking from Rachana Sansad Institute, Mumbai.

Abhinav S S

Illustrator

Abhinav works on in-house blog illustrations, storyboarding and various visual projects aligned with the studio’s creative direction. He is currently pursuing a Bachelor’s degree in Fashion Communication from National Institute of Fashion Technology (NIFT) Bhopal. He has played competitive cricket for the state of Kerala and has a strong interest in painting and graffiti.

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Swanand Deo is a WordPress and Web Development Specialist working on various digital projects. With over a decade of experience in the design and development space, he has collaborated with over 50 national and international clients. He specialises in User Experience (UX) design, WordPress development, and creating engaging digital experiences. He holds a Bachelor of Fine Arts from the University of Pune.

Aashna Chandra

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Aashna works on publications, UI/UX and branding projects at SBS. She has previously worked with organisations across the social impact and development space. Her work focuses on layout design, visual identity systems and user interfaces across print and digital formats. She studied at the United Institute of Design, Gandhinagar, specialising in branding, typography, editorial design and packaging.

Vivek Warang

Digital Illustrator

Vivek works on translating ideas into visual narratives. His work ranges from creating storyboards and illustrations to ideation for special visual storytelling projects. He previously worked as an illustrator at OckyPocky. He enjoys telling stories through images and bringing concepts to life through his drawings. He holds a Bachelor’s degree in Applied Arts from D.Y. Patil College, Pune, with a specialisation in Illustration.

Rajshree Goswami

Content Writer

Rajshree began her professional journey in Kolkata and has over four years of experience as a creative writer and proofreader for academic papers. At SBS, she works across all content, including blogs, transcripts, quality checks and writing for annual reports. She is an avid reader and enjoys cinema, fiction and creative writing. She holds a Bachelor’s degree in English Honours from West Bengal State University.

Bhavesh Dhote

Founder’s Office

Bhavesh is part of the Founder’s Office, working across in-house operations, social media strategy, strategic initiatives, market research and film production. He holds a Bachelor’s degree in Electronics and Telecommunications Engineering with a Diploma in AI and Machine Learning from D.J. Sanghvi College of Engineering, Mumbai. He is also a professional badminton player, marathon runner, trekker and plays euphonium and trumpet.

Manish Mandavkar

Motion Editor

Manish Mandavkar has studied animation at Arena Animation in Mumbai. He has previously worked on animated videos and motion graphics for brands, including Unilever and Zee Movies. An avid gamer, he is also passionate about sketching and photography. He holds a degree in Commerce from the University of Mumbai.

Joel Machado

Film Editor

Mumbai-based creative consultant and film editor Joel Machado has worked on documentaries as well as films in the mainstream Bollywood sector. He was also the Chief Assistant Director on the Jackie Shroff short, “The Playboy, Mr. Sawhney.” In addition to earning a B.Com from Mumbai University, he attended the city’s Digital Academy to hone his script writing skills.

Rohit Sreekumar

Founder’s Office

Rohit is responsible for developing strategic alliances and collaborative initiatives in the social sector. He also works on project management and helps internal teams stay on track. He has previously worked at early-stage startups across product and growth roles. In his free time, he enjoys binge-watching series, gaming and reading. He holds a Master’s degree in Computer Applications from Amrita Vishwa Vidyapeetham, Karnataka.

Aliefya Vahanvaty

Sr. Creative Partner

Senior Creative Partner, Aliefya Vahanvaty has worked in a wide range of editorial roles over the course of her career, gaining experience as a correspondent, copy editor, writer, photographer, and assistant editor at publications like the Times of India, Forbes India, Open Magazine, Impact Magazine, and others. In addition to her MA in Sociology from Mumbai University, she also has an MA in Photojournalism from the University of Westminster in the United Kingdom.

Simit Bhagat

Founder

Founder, Simit Bhagat has worked in the fields of filmmaking, project management, and journalism for over 15 years. He has served in a variety of positions for organisations like the Times of India, the Maharashtra Forest Department, the Tata Trusts, and the Thomson Reuters Foundation. From the University of Sussex in the United Kingdom, he earned a Master of Arts in Science, Society, and Development.