How NGOs Drive Disaster Relief Efforts Using Digital Campaigns

Mumbai
Disaster management
Illustration by Madhura Bante / Simit Bhagat Studios

The flood came in the dark.

Villagers in Assam woke to the sound of water gushing through their courtyards. Tin roofs trembled. Beds floated. By sunrise, fields had disappeared, and so had phone signals. Children clung to cooking vessels, families to one another.

There were no rescue boats. No media vans. Just silence and rising water.

But somewhere far away, a volunteer received a single voice note: “Please help. We have no food. The road is gone.”

That message travelled fast. It reached an NGO worker, then an Instagram story, then a stranger in Mumbai who sent a donation without hesitation. Relief didn’t arrive by miracle. It arrived by mobilisation—by digital networks that moved faster than the disaster itself.

This is what humanitarian response looks like now. Real-time. Community-driven. Powered by storytelling and signal strength. NGOs are no longer waiting for headlines. They are shaping action through digital campaigns that don’t just inform—they intervene.

Let’s look at five such stories of action, impact, and the digital tools that made them possible.

1. Goonj – Weaving Dignity into Disaster Relief

When monsoon floods swept across Assam and Kerala, Goonj responded with more than aid. They responded with empathy.

Their Rahat campaign wasn’t built in a boardroom. It was shaped by stories. They used social media to share community needs in real time. They made it easy to donate with Amazon wishlists and digital payment links.

Goonj’s Rahat campaign used social media to share community needs in real time. 

But the heart of Rahat was dignity. Through their ‘Cloth for Work’ initiative, communities rebuilt what mattered to them—roads, classrooms, homes—and received materials in return. It wasn’t charity. It was collaboration. And it resonated.

One campaign under the Rahat banner raised over ₹20 lakh. Another, focused on flood response, pulled in ₹16 lakh—powered almost entirely by digital donors.

In a world flooded with noise, Goonj’s quiet, truthful storytelling broke through.

2. UNHCR – Giving Refugees the Mic with ‘Hope Away from Home’

In times of conflict, it’s easy to speak about refugees. UNHCR chose to speak with them.

Their campaign Hope Away from Home turned displaced people into narrators of their own stories. Through digital art exhibits, Instagram reels, Youtube videos, and community co-created content, UNHCR built empathy—across screens and borders.

In times of conflict, it’s easy to speak about refugees. UNHCR chose to speak with them.

Moreover, the campaign featured artists from Ukraine, Sudan, and Afghanistan, giving voice to stories usually lost in headlines. The result was global solidarity, yes—but also meaningful impact.

In Sweden alone, donors raised $8.5 million for the campaign. The Akelius Foundation matched that with another $5.4 million—bringing the total to a remarkable $13.9 million (₹115 crore).

These weren’t just donations. They were declarations: We see you. We believe you.

3. IFRC – Training the TikTok Generation to Respond

The International Federation of Red Cross (IFRC) looked at the world’s most online generation—and saw potential.

Through its Youth Engagement Strategy, it turned young people into first responders. They weren’t just watching floods on their phones—they were coordinating relief through WhatsApp groups, attending Zoom workshops, and launching TikTok awareness campaigns.

Besides quick wins, IFRC invested in long-term digital resilience. They provided toolkits and training for community-based disaster response led entirely by youth.

Moreover, these efforts weren’t small. In 2023, IFRC’s National Society donors contributed over 352 million Swiss Francs (₹3,200 crore) in funding, a portion of which supported digital and youth engagement.

The numbers are big. But the stories are bigger. Like the teenage girls in Indonesia who mapped evacuation routes in their village—using nothing but a phone and a YouTube tutorial.

4. GiveIndia – When a Dashboard became a Lifeline

In the terrifying summer of 2021, India’s healthcare system collapsed under COVID’s second wave.

Beds were unavailable. Oxygen ran out. Entire families queued outside hospitals, begging for help.

Into this chaos stepped GiveIndia—with a dashboard that changed everything. Their India COVID Response Fund (ICRF-2) wasn’t just a fundraiser. It was an emergency room built on the internet.

A dashboard that changed everything.

In two weeks, they raised over ₹70 crore (USD 9.5 million). Campaigns like #IBreatheForIndia and #TogetherForIndia contributed ₹20.3 crore and ₹25.5 crore, respectively. Moreover, they didn’t work alone. Over 270 NGOs, six state governments, and even the Indian Army joined forces.

Digital updates told donors exactly where aid was going—every oxygen cylinder, every ICU bed. And every rupee meant a life touched.

5. American Red Cross – Where Tweets Turn into Coordinates

When Hurricane Sandy hit, the American Red Cross didn’t wait for damage reports. They read tweets. One post said, “Trapped with my grandma. Please send help.” They did. This marked the beginning of digital humanitarian coordination at scale.

Red Cross created an operations centre to monitor social media for real-time needs. But they didn’t stop there.

When Hurricane Sandy hit, the American Red Cross didn’t wait for damage reports. They read tweets.

With partners like Doctors Without Borders and the Humanitarian OpenStreetMap Team, they launched Missing Maps. This project invites global volunteers to map unmapped villages—before disaster strikes. Besides mapping, the Red Cross also pioneered mobile fundraising.

After the Haiti earthquake, one SMS—“HAITI” to 90999—helped raise $43 million. That’s the power of one message, multiplied by millions of hearts.

What Do These Campaigns Have in Common?

They move fast—but never shallow. Use tech—but never lose touch. They don’t broadcast suffering. They build solidarity.

Moreover, they show us that in every disaster lies a moment to reimagine how we care. Whether through a map, a reel, a wishlist, or a text—these campaigns turn digital acts into human connection.

Every disaster lies a moment to reimagine how we care. 

Why it matters now more than ever? Because natural disasters are intensifying. Conflicts are spreading. Pandemics may return. Meanwhile, attention is fragmenting. Empathy is fleeting.

That’s why storytelling matters. Not for decoration—but for direction. Besides raising money, these digital campaigns raise urgency. They inspire action. They help people not just survive—but feel seen.

Want to Learn How Stories Like These Are Made?

At Simit Bhagat Studios, we help nonprofits tell stories that move hearts, not just metrics.

If you’re passionate about communication that drives change, subscribe to our newsletter. We share insights, strategies, and stories that show how digital storytelling is shaping the future of humanitarian response—one campaign at a time.


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Swanand Deo

Web Development Specialist

Swanand Deo is a WordPress and Web Development Specialist working on various digital projects. With over a decade of experience in the design and development space, he has collaborated with over 50 national and international clients. He specialises in User Experience (UX) design, WordPress development, and creating engaging digital experiences. He holds a Bachelor of Fine Arts from the University of Pune.

Mrinali Parmar

Associate (Partnerships)

Mrinali Parmar works on operations and building partnerships with social impact organisations. With five years of work experience, she has focused on education and promoting awareness of climate change and sustainability in her operations role. She holds a Master’s Degree in Commerce from the University of Mumbai and is passionate about linguistics, speaking six languages.

Swarnima Ranade

Voice Actress

Swarnima Ranade is a medical doctor turned voice actress who has done voice-over work for everything from commercials to documentaries to corporate narration to children’s books. She has worked with numerous noteworthy businesses in the past, such as Tata, Uber, Walmart, and YouTube Kids. She graduated from SVU in Gujarat with a degree in dental surgery.

Kumar Shradhesh Nayak

Illustrator

Kumar Shradhesh Nayak is a professional artist, illustrator, and graphic designer who studied at the National Institute of Fashion Technology in Hyderabad. His experience includes stints at EkakiVedam and Design Avenue, both of which are prominent advertising firms. He enjoys trying out new approaches to illustration and creates artwork for a variety of projects.

Divya Shree

Content Producer cum Editor

Divya Shree is a media alumna from Symbiosis Institute in Pune who loves producing and editing non-fiction content. She has directed, shot, and edited videos for various productions. Her strengths are research, audience awareness, and the presentation of intricate topics with clarity and interest.

Manish Mandavkar

Motion Editor

Manish Mandavkar has studied animation at Arena Animation in Mumbai. He has previously worked on animated videos and motion graphics for brands, including Unilever and Zee Movies. An avid gamer, he is also passionate about sketching and photography. He holds a degree in Commerce from the University of Mumbai.

Joel Machado

Film Editor

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Apoorva Kulkarni

Partnership Manager

Apoorva Kulkarni is the Partnerships Manager, and is responsible for developing strategic alliances and collaborative initiatives with other organisations in the social development ecosystem. For the past five years, she has been employed by major corporations, including Perthera (USA) and Genotypic Technology. She has written and published poetry, and she has been an integral part of The Bidesia Project. At Georgetown University in the United States, she earned a Master of Science in Bioinformatics.

Aliefya Vahanvaty

Sr. Creative Partner

Senior Creative Partner, Aliefya Vahanvaty has worked in a wide range of editorial roles over the course of her career, gaining experience as a correspondent, copy editor, writer, photographer, and assistant editor at publications like the Times of India, Forbes India, Open Magazine, Impact Magazine, and others. In addition to her MA in Sociology from Mumbai University, she also has an MA in Photojournalism from the University of Westminster in the United Kingdom.

Simit Bhagat

Founder

Founder, Simit Bhagat has worked in the fields of filmmaking, project management, and journalism for over 15 years. He has served in a variety of positions for organisations like the Times of India, the Maharashtra Forest Department, the Tata Trusts, and the Thomson Reuters Foundation. From the University of Sussex in the United Kingdom, he earned a Master of Arts in Science, Society, and Development.