Piece by Piece: Ambuja’s Video Annual Report 2024–25

Behind Ambuja’s video annual report lies a puzzle of design, storytelling, and impact, coming together in ways this blog quietly reveals.

In Solan, nestled among the hills of Himachal Pradesh, 79-year-old Karnail Singh begins his day before sunrise. A small dairy shed has become the centre of his livelihood. Taking care of each cow means spending time, trusting, and quietly believing that life can get better even when it seems like there are fewer years ahead than behind. Work like his does not change overnight. It builds slowly through new skills, community support, and systems that allow people to stand stronger together.

This is the kind of progress Ambuja Foundation invests in. Rural development is rarely a single success story. It is many stories stitched into one picture. And that picture changes only when each piece is placed with intention.

So when Ambuja Foundation reached out to us for their third consecutive video annual report, we returned to that understanding. The print report already told the full story with care and detail. Our task was to translate its richness into a format that more people could grasp in a short time without losing the depth that makes the work meaningful.

Our Design Approach

We began by looking closely at the central idea behind this year’s theme: rural poverty is not one problem. It is a puzzle. Water, agriculture, health, education, women’s empowerment, and skilling. None of these stands alone. Solutions must connect.

The video needed to reflect this truth visually. Instead of moving topic by topic, we wanted the viewer to feel how each focus area supports the others. A strong system does not rely on one pillar. It rises because all of them fit together.

Also read: The Power of Annual Report Video

Bringing the Puzzle Metaphor Into Motion

The print report introduced puzzle pieces as a core element. We expanded that metaphor into movement. Each thematic area arrived on screen as a separate piece, with its own space, tone, and symbol. As the film progressed, the pieces drew closer, locked into place, and formed a complete view of Ambuja Foundation’s impact.

Integrated development is not just a concept. It has structure, rhythm, and direction.

This choice made the invisible visible. Integrated development is not just a concept. It has structure, rhythm, and direction. Every transition was designed to show that nothing happens alone.

Visual Language that Centres People

We kept the colour palette calm and consistent with Ambuja’s brand. Motion graphics were clean and confident, allowing the content to take the lead. Photographs were treated thoughtfully. Beneficiaries often appeared in colour against a muted background, so the viewer’s attention stayed with the people at the heart of the work. Even the smallest elements were designed with intention. 

As the puzzle transitions zoom into each focus area, a unique icon appears to signal what the viewer is entering next. In agriculture and climate, for example, a rotating gear encircles a growing plant, a simple visual that brings together livelihood and ecology in a single frame. In skilling, a half-brain and half-bulb symbol captures both knowledge and opportunity. Each icon was chosen to showcase cues that helped viewers recognise themes before reading the text.

Each icon was chosen to showcase cues that helped viewers recognise themes before reading the text.

The decision to avoid a voiceover kept the video universal and accessible. The message did not depend on language. The story could be understood simply by watching.

Also read: Designing Impact: The Story Behind ARMMAN’s Annual Report

Designing With Empathy

At Simit Bhagat Studios, we believe design has a responsibility to listen. In rural development, every number is attached to a person, a household, or a decision that shaped a life. The video honours that connection. It avoids spectacle and centres people without romanticising struggle.

The journey continues piece by piece. The print report remains essential. The video companion makes it accessible. Together, they ensure Ambuja’s work is not only recorded but remembered.

For our team, this project offered the same quiet lesson it always does. Design can carry a story forward. It can deepen trust. It can prove that sometimes less is the clearest way to say more.

If you’re in the nonprofit or policy space and care about turning complex themes into compelling communication, our newsletter might speak to you. We share lessons like these, design reflections, and stories of impact that listen closely before they speak. Subscribe to stay connected to work that values both detail and dignity.


Rahul More

Video Editor

Rahul works on video editing and motion graphics across various formats. He previously worked in post-production at Sallys, with experience across commercials, web series, and digital content. He has over three years of experience in video editing and motion graphics. He enjoys reading, playing cricket, fish keeping and making short films. He holds a Bachelor’s degree in Mass Media (Journalism) and a Diploma in Filmmaking from Rachana Sansad Institute, Mumbai.

Abhinav S S

Illustrator

Abhinav works on in-house blog illustrations, storyboarding and various visual projects aligned with the studio’s creative direction. He is currently pursuing a Bachelor’s degree in Fashion Communication from National Institute of Fashion Technology (NIFT) Bhopal. He has played competitive cricket for the state of Kerala and has a strong interest in painting and graffiti.

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Swanand Deo

Web Development Specialist

Swanand Deo is a WordPress and Web Development Specialist working on various digital projects. With over a decade of experience in the design and development space, he has collaborated with over 50 national and international clients. He specialises in User Experience (UX) design, WordPress development, and creating engaging digital experiences. He holds a Bachelor of Fine Arts from the University of Pune.

Aashna Chandra

Graphic Designer

Aashna works on publications, UI/UX and branding projects at SBS. She has previously worked with organisations across the social impact and development space. Her work focuses on layout design, visual identity systems and user interfaces across print and digital formats. She studied at the United Institute of Design, Gandhinagar, specialising in branding, typography, editorial design and packaging.

Vivek Warang

Digital Illustrator

Vivek works on translating ideas into visual narratives. His work ranges from creating storyboards and illustrations to ideation for special visual storytelling projects. He previously worked as an illustrator at OckyPocky. He enjoys telling stories through images and bringing concepts to life through his drawings. He holds a Bachelor’s degree in Applied Arts from D.Y. Patil College, Pune, with a specialisation in Illustration.

Rajshree Goswami

Content Writer

Rajshree began her professional journey in Kolkata and has over four years of experience as a creative writer and proofreader for academic papers. At SBS, she works across all content, including blogs, transcripts, quality checks and writing for annual reports. She is an avid reader and enjoys cinema, fiction and creative writing. She holds a Bachelor’s degree in English Honours from West Bengal State University.

Bhavesh Dhote

Founder’s Office

Bhavesh is part of the Founder’s Office, working across in-house operations, social media strategy, strategic initiatives, market research and film production. He holds a Bachelor’s degree in Electronics and Telecommunications Engineering with a Diploma in AI and Machine Learning from D.J. Sanghvi College of Engineering, Mumbai. He is also a professional badminton player, marathon runner, trekker and plays euphonium and trumpet.

Manish Mandavkar

Motion Editor

Manish Mandavkar has studied animation at Arena Animation in Mumbai. He has previously worked on animated videos and motion graphics for brands, including Unilever and Zee Movies. An avid gamer, he is also passionate about sketching and photography. He holds a degree in Commerce from the University of Mumbai.

Joel Machado

Film Editor

Mumbai-based creative consultant and film editor Joel Machado has worked on documentaries as well as films in the mainstream Bollywood sector. He was also the Chief Assistant Director on the Jackie Shroff short, “The Playboy, Mr. Sawhney.” In addition to earning a B.Com from Mumbai University, he attended the city’s Digital Academy to hone his script writing skills.

Rohit Sreekumar

Founder’s Office

Rohit is responsible for developing strategic alliances and collaborative initiatives in the social sector. He also works on project management and helps internal teams stay on track. He has previously worked at early-stage startups across product and growth roles. In his free time, he enjoys binge-watching series, gaming and reading. He holds a Master’s degree in Computer Applications from Amrita Vishwa Vidyapeetham, Karnataka.

Aliefya Vahanvaty

Sr. Creative Partner

Senior Creative Partner, Aliefya Vahanvaty has worked in a wide range of editorial roles over the course of her career, gaining experience as a correspondent, copy editor, writer, photographer, and assistant editor at publications like the Times of India, Forbes India, Open Magazine, Impact Magazine, and others. In addition to her MA in Sociology from Mumbai University, she also has an MA in Photojournalism from the University of Westminster in the United Kingdom.

Simit Bhagat

Founder

Founder, Simit Bhagat has worked in the fields of filmmaking, project management, and journalism for over 15 years. He has served in a variety of positions for organisations like the Times of India, the Maharashtra Forest Department, the Tata Trusts, and the Thomson Reuters Foundation. From the University of Sussex in the United Kingdom, he earned a Master of Arts in Science, Society, and Development.